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Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Thursday, November 29, 2012

CBS orders "Under The Dome" straight to series for summer 2013

via glooce

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CBS is going into business with Stephen King and Steven Spielberg's Amblin Entertainment as part of its scripted push for summer 2013.

The network has ordered straight to series an adaptation of King's 2009 best-seller Under the Dome, scheduling the 13-episode effort for summer 2013, where it will join the recently revived second season of Poppy Montgomery starrer Unforgettable.

CBS Television Studios will produce the series in association with Spielberg's Amblin Television. Neal Baer (A Gifted Man, Law & Order: SVU), King, Justin Falvey, Darryl Frank, Stacey Snider and comic scribe Brian K. Vaughan (Y: The Last Man, Lost), who penned the television adaptation, will serve as executive producers. Director Niels Arden Oplev (The Girl With the Dragon Tattoo, Unforgettable) will direct the first episode. Under the Dome was initially developed for CBS corporate sibling Showtime, with the project first announced in August 2011.

Based on the book about locals at a small New England town that is suddenly sealed off from the rest of the world by an enormous transparent dome, its residents must deal with surviving the post-apocalyptic conditions while searching for answers to what the barrier is, where it came from and when -- and if -- it will go away.

"This is a great novel coming to the television screen with outstanding auspices and in-season production values to create a summer programming event," CBS Entertainment president Nina Tassler said in announcing the news. "We’re excited to transport audiences Under the Dome and into the extraordinary world that Stephen King has imagined."

CBS and book publisher Simon & Schuster will cross-promote the television series and book in advance of the series' summer launch with the April re-release of the trade paperback and electronic editions of the effort. The network will also launch the series with a multiplatform window, with each installment available shortly after its original broadcast. CBS Television Distribution will handle domestic distribution, with CBS Studios International handling worldwide efforts.

Source 2

    Friday, November 2, 2012

    Book News: 419 wins the Giller

    via glooce

     

     

     

     

     


    Will Ferguson has won the 2012 Giller Prize, the $50,000 award considered one of Canada's most prestigious literary honours.

    Though best known for his humour and travel writing, the Calgary writer won for his dark novel 419 on Tuesday night, accepting the prize at a star-studded gala in Toronto.

    "I want to thank the jury for putting together such a fresh list of books," Ferguson, who was dressed in a traditional kilt, said after taking the stage to accept the prize.

    "I commend them for taking the books on their own merit, without preconceptions — which is how a jury should act."

    Then, reaching into his sporran for a flask, the author concluded his speech by leading the audience in a toast.

    "Ladies and gentlemen: To the written word," Ferguson said before taking a sip from the flask he procured from the pouch.

    "And finally, to answer the question you're all wondering — yes I have something on underneath!"



     

     

     

    A departure and a continuation

    419 is a provocative tale of an email scam and a woman who sets out on a wide-ranging search for those she believes responsible for her father's death. It's different sort of writing for many fans of Ferguson, a three-time winner of the Stephen Leacock Medal.

    "Everyone's saying it's a departure, which is understandable, but I think it's a continuum from Spanish Fly," he told reporters after the ceremony, referencing his earlier book.


    "Spanish Fly was about con artists in the 1930s. It was a historical novel. So I didn't think of [419] as out of the blue, but I think of it as a continuation."

    Ferguson didn't worry as much about writing in a genre for which he isn't as known.

    "I think my publisher really took more of a risk than I did, to be honest, when I switched to literary fiction," he said.

    Despite the kudos he's received for 419, he not ready to limit himself to one type of writing either.

    "If a funny story grabs you, it grabs you. If travel grabs you, it grabs you," he said, noting that his next book will be a travel narrative about Rwanda, Burundi and potentially eastern Congo.

    "I try to switch between fiction and travel. It uses different parts of your brain. No, I'm not giving up on travel writing, but I'm certainly enjoying fiction."

    Along with the $50,000 cash prize, Ferguson will likely see a healthy sales boost for 419 — a post-prize bump dubbed "the Giller effect."

    Audience of notable Canadians

    Satirist Rick Mercer, Olympian Rosie MacLennan, actress Kim Cattrall, soprano Measha Brueggergosman and actor Allan Hawco each introduced one of the evening's finalists.

    Ferguson's fellow shortlisted authors included St. John's writer Russell Wangersky (Whirl Away) and Montreal authors Nancy Richler (The Imposter Bride), Alix Ohlin (Inside) and Kim Thuy (Ru) — each of whom will receive $5,000.


    Tuesday night's ceremony opened with a dance piece by two members of the National Ballet of Canada, performing to an acoustic version of I Won’t Let You Go (Darling) sung by rocker Jacob Hoggard.

    CBC personality Jian Ghomeshi hosted the gala, which he described as a celebration of authors, at Toronto's Ritz-Carleton Hotel.

    Actor Gordon Pinsent, interim Liberal Leader Bob Rae and Conrad Black were among the notable figures who attended the posh awards gala. Past Giller-winners Margaret Atwood, Vincent Lam and Linden Macintyre were also in the audience.

    This year's jury — Irish author Roddy Doyle, Canadian publisher and writer Anna Porter and American satirist Gary Shteyngart — read more than 140 books in approximately 4½ months, according to businessman and prize founder Jack Rabinovitch.

    Awarded annually since 1994, the prize was established by Rabinovitch in memory of his late wife, literary journalist Doris Giller.

    Honouring the best book of English-language fiction written in the past year, the Giller has previously gone to writers such as Mordecai Richler, Rohinton Mistry, Alice Munro and Esi Edugyan.






    Source 2



    Wednesday, October 10, 2012

    JK Rowling: My Next Book Will Be for Kids

    via glooce



    Author J.K. Rowling, whose recent foray into adult book publishing was widely panned, says her next book will be for children.

    "I think probably the next thing I write, or the next thing I publish, will be for children," Rowling told attendees at the Cheltenham Literature Festival in England on Sunday.

    The "Harry Potter" writer said she has a number of ideas on her laptop for her next book, which she said would be aimed at younger children than the seven-book series about a young wizard and his evil-conquering cohorts at the Hogwarts School of Witchcraft and Wizardry.

    "I have a lot of things on my laptop currently, including a couple of things for children—for a slightly younger age group than 'Harry Potter' was aimed at—which are nearly done and will, I think, be the next thing I publish," Rowling said. "I have run them by my children and they seem to like them, which is always a good sign."

    Rowling's latest book, "The Casual Vacancy," underwhelmed critics when it was released last month.

    "Unfortunately," The New York Times said, "the real-life world she has limned in these pages is so willfully banal, so depressingly clichéd that 'The Casual Vacancy' is not only disappointing—it's dull."

    The Guardian called it a "determinedly unadventurous English novel."

    "The magic simply isn't there," the Daily News said. "Indeed, the spell has been broken."

    In a recent interview with the BBC, Rowling would not rule out another book set in Voldemort-ville. But as far as "Harry's story is concerned," Rowling said, "I'm done."

    SOURCE 2


    '50 Shades of Grey' Movie: Why the Film May Not be the Same as the Book

    via glooce



    The screenwriter for the 50 Shades of Grey movie has been chosen. Earlier this week, Universal Pictures and Focus Features announced that Kelly Marcel, writer of of Terra Nova, will take on the task of turning the book into a film. However, as noted by MTV News, there are five challenges that Marcel will face. Can she work around them and make the movie as erotic and as big of a hit as E.L. James did with the novel?

    The first, and likely the hardest, of the challenges that the screenwriter faces is toning down the hot, dirty sexy. (Sorry, ladies. The movie does need to meet an R-rating.) While many books have a little sexy time thrown in for the thrill, it's a major part of the 50 Shades storyline. If Marcel follows the book too closely, she'll end up creating a straight-up porno. Can she make it work for the big screen?

    Another challenge is that there isn't much of a plot to the movie—it's sex, sex, and more sex. MTV pointed out that the screenwriter will need to "craft a meaty narrative," and that kind, by the way, has nothing to do with Christian's man meat.

    Challenge number with a 50 Shades of Grey movie is playing out the email exchanges without it being a total snoozer. Anastasia and Christian's online messages take up quite a few pages of the book. But will movie goers want to sit through it all? If Kelly Marcel turns it into a narrative and doesn't just show both characters just typing away on their computer screens, it could be entertaining for audiences.

    The next challenge is crafting the man of the hour, Christian Grey. He's sexy, he's mysterious, he's persistent, he's damaged—and women love/want him. But can the man in the movie live up to the man in the book? With some great writing and equally great casting (Alex Skarsgard, Matt Bomer, or Ian Somerhalder, perhaps?), the screenwriter can definitely do just that.

    The final challenge that MTV News pointed out is the audience. Can porn for women appeal to men as well? Or does it matter? Wouldn't the film make plenty of money with just a female audience? Also, let's not forget that some ladies will drag their men to the movie anyways.

    Does the screenwriter have her work cut out for her? Can the 50 Shades of Grey movie be as good as the book?

    Source 2



    Wednesday, October 3, 2012

    20 Authors to Read During the Halloween Season

    via Glooce

    books1

    1. Washington Irving
    Check out: The Sketch Book (1920) which includes short stories “The Legend of Sleepy Hollow” and “Rip Van Winkle”
    2. Bram Stoker
    Check out: Dracula (1897), The Lair of the White Worm (1911)
    3. Max Brooks
    Check out: Zombie Survival Guide (2003), World War Z (2007)
    4. Mary Shelley
    Check out: Frankenstein (1818)

    books2

    5. Robert Louis Stevenson
    Check out: Strange Case of Dr Jekyll and Mr Hyde (1886)
    6. Edgar Allen Poe
    Check out: Tales of the Grotesque and Arabesque (1839), The Raven and Other Poems (1845)
    7. Steven King
    Check out: Salem’s Lot (1975), The Shining (1977)
    8. Guillermo del Toro and Chuck Hogan
    Check out: The Strain (2009), The Fall (2010), The Night Eternal (2011)

    books3
    9. David Wellington
    Check out: 13 Bullets (2007), Monster Island (2006), Frostbite (2009)
    10. Ira Levin
    Check out: Rosemary’s Baby (1967), Slither (1991)
    11. Daphne du Maurier
    Check out: Jamaica Inn (1936), Rebecca (1938) and Don’t Look Now (1970)
    12. Charlaine Harris
    Check out: Dead Until Dark (2001), Real Murders (1990)

    books4
    13. Anne Rice
    Check out: Interview with the Vampire (1976), The Witching Hour (1990)
    14. Richard Matheson
    Check out: Long Distance Call (1953), I am Legend (1954), Hell House (1971)
    15. Robert Bloch
    Check out: Black Bargain (1942), Psycho (1959)
    16. Sheridan Le Fanu
    Check out: Uncle Silas (1864), In a Glass Darkly (1872), Carmilla (1872)


    books5
    17. Elizabeth Kostova
    Check out: The Historian (2005)
    18. G.W.M. Reynolds
    Check out: Faust (1846), Wagner the Werewolf (1847) and The Necromancer (1857)
    19. Oscar Wilde
    Check out: The Picture of Dorian Gray (1891)
    20. William Peter Blatty
    Check out: The Exorcist (1971)


    Source 2



    Tuesday, October 2, 2012

    Banned Books Week 2012: Which books were most challenged

    via Glooce



    The American Library Association (ALA) is celebrating 30 years of Banned Books Week, a movement started to support the freedom to read. Banned Books Week brings together the entire book community – librarians, booksellers, publishers, journalists, teachers, and readers of all types – in shared support of the freedom to seek and to express ideas, even those some consider unorthodox or unpopular.


    Some of the most challenged books this year include some very well known authors and are currently lead by Lauren Myracle’s ttyl, ttfn, and l8r, g8r; Kim Dong Hwa’s The Color of Earth; and Suzanne Collins’s Hunger Games trilogy. The ALA says the 326 challenges reported last year represent only a fraction of all contested books.

    People all over the country are celebrating the freedom of being able to read whatever they wish. Publishers, and bookstores along with the ALA are bringing awareness to this topic. The Banned Books Week (BBW) website is hosting a Virtual Read-Out where participants read aloud from banned books. Today’s featured guest is Stephen Chbosky, author of The Perks of Being a Wallflower. Across the country libraries are hosting events in celebration of these books and authors. Simon & Schuster has a webpage dedicated to all the books they’ve published that have been challenged. It also features quotes from frequently challenged authors like Judy Blume. Macmillan asked several of its authors, including Laurie Halse Anderson (Speak) and Marissa Meyer (Cinder), to bring banned books to their local libraries with personal notes that say “Read Banned Books!”

    1. ttyl; ttfn; l8r, g8r (series), by Lauren Myracle

    Reasons: offensive language; religious viewpoint; sexually explicit; unsuited to age group

    2. The Color of Earth (series), by Kim Dong Hwa

    Reasons: nudity; sex education; sexually explicit; unsuited to age group

    3. The Hunger Games trilogy, by Suzanne Collins

    Reasons: anti-ethnic; anti-family; insensitivity; offensive language; occult/satanic; violence

    4. My Mom’s Having A Baby! A Kid’s Month-by-Month Guide to Pregnancy, by Dori Hillestad Butler

    Reasons: nudity; sex education; sexually explicit; unsuited to age group

    5. The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie

    Reasons: offensive language; racism; religious viewpoint; sexually explicit; unsuited to age group

    6. Alice (series), by Phyllis Reynolds Naylor

    Reasons: nudity; offensive language; religious viewpoint

    7. Brave New World, by Aldous Huxley

    Reasons: insensitivity; nudity; racism; religious viewpoint; sexually explicit

    8. What My Mother Doesn’t Know, by Sonya Sones

    Reasons: nudity; offensive language; sexually explicit

    9. Gossip Girl (series), by Cecily Von Ziegesar

    Reasons: drugs; offensive language; sexually explicit

    10. To Kill a Mockingbird, by Harper Lee

    Reasons: offensive language; racism


    Source 2


      Thursday, September 27, 2012

      JK Rowling's The Casual Vacancy: review roundup

      via Glooce

       

      Highly readable; dull; funnier than expected – from the Telegraph to the New York Times, reviewers of JK Rowling's first post-Potter literary outing, The Casual Vacancy, are far from reaching a consensus

       







      "No doubt there will be reviewers who have already decided to pour vitriol upon [The Casual Vacancy] no matter its merits," said Jonathan Ruppin, of Foyles, yesterday, and it appears he might have had a point. Reviews have been pouring in for JK Rowling's first adult novel this morning, and they are nothing if not mixed.


      "A solid, traditional and determinedly unadventurous English novel,"wrote Theo Tait for the Guardian, while the famously vituperative Michiko Kakutani, reviewing The Casual Vacancy for the New York Times, was unimpressed. "It's as though writing about the real world inhibited Ms Rowling's miraculously inventive imagination, and in depriving her of the tension between the mundane and the marvellous constrained her ability to create a two-, never mind three-dimensional tale," she wrote.


      "The real-life world she has limned in these pages is so wilfully banal, so depressingly cliched that The Casual Vacancy is not only disappointing – it's dull. The novel … reads like an odd mashup of a dark soap opera like Peyton Place with one of those very British Barbara Pym novels, depicting small-town, circumscribed lives."


      Jan Moir in the Daily Mail, meanwhile, took umbrage at what she saw as Rowling's attack on the middle classes. "More than 500 pages of relentless socialist manifesto masquerading as literature crammed down your throat," found Moir. She went on to call Rowling "the kind of blinkered, left-leaning demagogue quick to lambast what she perceives to be risible middle-class values, while failing to see that her own lush thickets of dearly held emotions and prejudices are riddled with the same narrow-mindedness she is so quick to detect in others".


      Author Christopher Brookmyre, in the Telegraph, was far more positive, giving The Casual Vacancy four out of five stars, saying that it "reveals in unflinching detail the fractures beneath the surface of modern Britain".


      "One marvels at the skill with which Rowling weaves such vivid characters in and out of each other's lives, rendering them so complex and viscerally believable that one finds oneself caring for the worst of them. However, upon hearing the cries of so many souls in pain, the more sensitive reader might begin to crave a leavening of hope, or to fear that Rowling's own cry is one of despair," writes Brookmyre. "That leavening is there, but the novel's lesson is that it won't simply be gifted to us. Quite unmistakably Barry Fairbrother [the parish councillor who dies at the start of the novel] represents liberal aspirations towards a fairer and more integrated society, whereby we don't lecture the disadvantaged about pulling themselves up by their bootstraps: instead we have to wade in to help in ways that may be messy, unsatisfying and barely effective, but without which we abandon hope. Ultimately, The Casual Vacancy is a book that understands there are no magic wands."


      The Scotsman was also positive: "It is far grittier, bleaker (and, occasionally, funnier) than I had expected, and – the acid test – I suspect it would do well even if its author's name weren't JK Rowling." The Mirror gave The Casual Vacancy five stars, and the Express found that "some readers will be shocked at Rowling's departure from wizardry and magic but The Casual Vacancy is a highly readable morality tale for our times".


      A second Telegraph review, from Allison Pearson, awarded three stars and found the novel "sometimes funny, often startlingly well observed, and full of cruelty and despair", and "as for the ending, dear God, it is so howlingly bleak that it makes Thomas Hardy look like PG Wodehouse".


      "Invariably, the author is best when she is back on home ground, dealing with the teenage characters, their inchoate yearnings and lonely friendships," says Pearson. "The book is at its weakest when it is most angrily political, satirising what JK's friend, Gordon Brown, calls 'bigots'. And the novel pretty much explodes towards the end, losing shape in its fury at the dirty, unfair England that we Muggles have made for ourselves. It's like The Archers on amyl nitrate."


      In the Evening Standard, David Sexton said that "what the book has in common with Harry Potter is the ability to marshall an extraordinary number of characters into a coherent narrative, and a prose style so clunkily over-descriptive and repetitiously structured that it presents quite a barrier to the reader with any interest in language, until you are able to forget it, like reading a ropey translation, and concentrate on the story instead".


      "The problem for Rowling's legions of fans will be that she has forgotten to include any basic likability in her characters here, or any real suspense as to what will happen – or deliberately chosen not to supply it, now she no longer needs to do anything other than what she wants," finds Sexton. "The book is quite punishing to read and the view of human nature it takes is more fundamentally lowering than that of the most cynical French aphorist … Rowling has said pre-emptively: 'There is no part of me that feels like I represented myself as your children's babysitter or their teacher. I'm a writer and I will write what I want to write.' So that's what she has done and it is not nice."



      Source 2



      Monday, September 24, 2012

      J.K. Rowling's New Novel Tackles Addiction

      Via Glooce





      The Harry Potter author's highly-anticipated novel for adults, The Casual Vacancy, depicts heroin addiction and a treatment clinic. 


      In her first novel post-Harry Potter, author J.K. Rowling moves from wizards and Hogwarts to drug addiction. The New Yorker has provided the first mini-review of The Casual Vacancy, describing it as "a story of class warfare set amid semi-rural poverty, heroin addiction, and teen-age perplexity and sexuality." The tale is set in the comfortable middle-class town of "Pagford," England, which has a drug-treatment clinic that serves both the town and a neighboring area, The Fields—a neighborhood of public housing and poverty on the edge of a larger town nearby. Right-wing residents of the community seek to rid themselves of the obligation to help the struggling Fields. One of the central characters, the prostitute and drug addict Terri Weedon, is mother to a three-year-old child. The novel draws from Rowling's personal experiences of being surrounded by poverty; she says she now feels free to write "whatever the hell I like." "I am the freest author in the world," she says. "My bills are paid—we all know I can pay my bills—I was under contract to no one, and the feeling of having all of these characters in my head and knowing that no one else knew a damned thing about them was amazing… Pagford was mine, just mine, for five years. I wrote this novel as exactly what I wanted to write."


      source 2



        Wednesday, September 19, 2012

        Fifty Shades of Grey author E.L. James writing another erotic tale

        via glooce


         



        E.L. James, author of the best-selling trilogy Fifty Shades, said on Monday that she hasn’t ruled out writing a fourth book, but is focused on composing another erotic tale and also plans to write a paranormal romance.

        The British author, who’s currently on a book tour in the United States, said she’s rewriting the first book she ever wrote because she just can’t seem to shake the plot line and characters from her mind.

        “It’s still in my head. I want it out of my head. I want it gone,” said James, who wouldn’t reveal much about the story, other than it’s an “erotic tale” that is “more fun” than the trilogy.

        “I also have another thing, which isn’t an erotic tale. It’s more of a paranormal romance, which I’d really like to do as well.”


        For the uninitiated, James’ trilogy Fifty Shades of Grey, Fifty Shades Darker and Fifty Shades Freed follows the racy romance between Anastasia Steele and Christian Grey, a handsome multi-millionaire who introduces her to the erotic pleasures of BDSM (Bondage, Discipline, Domination/Submission, Sadism/Masochism).

        James said that when she finished the third book, she felt she had completed the couple’s tale, saying “I left them in a really, really good place. But there seems to be lots of people clamouring for a fourth book in the trilogy,” said James, whose books have become a publishing sensation, so far selling 31 million copies worldwide.

        When asked about a fourth book, she replied: “We’ll see.”

        First, she said, she’d like to complete the other projects, saying, “There’s lots of voices clattering in my head.”


        James made her comments at a media event in New York City where she promoted the release of Fifty Shades of Grey: The Classical Album, a 15-track compilation featuring classical pieces that inspired her while writing the book, and are referenced in the trilogy. The CD, which includes the “Flower Duet” from Lakmé, Pachelbel’s Canon in D and the aria from Bach’s Goldberg Variations, was released on Sept. 11.

        James always listens to music while writing — in part because she writes in the living room and must drown out the sound of her two teenage sons watching television. But also because “music is so expressive (and) it can help set a scene,” she said, adding she has a lengthy playlist that she turns to for inspiration. When it comes to penning steamy sex scenes, she opts for “Sexy” by the Black Eyed Peas or Bruce Springsteen’s “I’m on Fire.” The partnership between EMI Classics and Random House is believed to be the first time that a CD’s release has been inspired by a book — typically, CD compilations are released in conjunction with a film.

        A movie is in the works — Universal Pictures and Focus Films have purchased the rights to all three books — but EMI Classics has jumped on the bandwagon early. After all, the book’s reference to “Spem in alium,” a 16th-century motet for 40 voices by Thomas Tallis, is credited with its surge to the top of the classical charts this summer in the UK.

        Source 2 3


        Fifty Shades of Grey author E.L. James writing another erotic tale

        via glooce


         



        E.L. James, author of the best-selling trilogy Fifty Shades, said on Monday that she hasn’t ruled out writing a fourth book, but is focused on composing another erotic tale and also plans to write a paranormal romance.

        The British author, who’s currently on a book tour in the United States, said she’s rewriting the first book she ever wrote because she just can’t seem to shake the plot line and characters from her mind.

        “It’s still in my head. I want it out of my head. I want it gone,” said James, who wouldn’t reveal much about the story, other than it’s an “erotic tale” that is “more fun” than the trilogy.

        “I also have another thing, which isn’t an erotic tale. It’s more of a paranormal romance, which I’d really like to do as well.”


        For the uninitiated, James’ trilogy Fifty Shades of Grey, Fifty Shades Darker and Fifty Shades Freed follows the racy romance between Anastasia Steele and Christian Grey, a handsome multi-millionaire who introduces her to the erotic pleasures of BDSM (Bondage, Discipline, Domination/Submission, Sadism/Masochism).

        James said that when she finished the third book, she felt she had completed the couple’s tale, saying “I left them in a really, really good place. But there seems to be lots of people clamouring for a fourth book in the trilogy,” said James, whose books have become a publishing sensation, so far selling 31 million copies worldwide.

        When asked about a fourth book, she replied: “We’ll see.”

        First, she said, she’d like to complete the other projects, saying, “There’s lots of voices clattering in my head.”


        James made her comments at a media event in New York City where she promoted the release of Fifty Shades of Grey: The Classical Album, a 15-track compilation featuring classical pieces that inspired her while writing the book, and are referenced in the trilogy. The CD, which includes the “Flower Duet” from Lakmé, Pachelbel’s Canon in D and the aria from Bach’s Goldberg Variations, was released on Sept. 11.

        James always listens to music while writing — in part because she writes in the living room and must drown out the sound of her two teenage sons watching television. But also because “music is so expressive (and) it can help set a scene,” she said, adding she has a lengthy playlist that she turns to for inspiration. When it comes to penning steamy sex scenes, she opts for “Sexy” by the Black Eyed Peas or Bruce Springsteen’s “I’m on Fire.” The partnership between EMI Classics and Random House is believed to be the first time that a CD’s release has been inspired by a book — typically, CD compilations are released in conjunction with a film.

        A movie is in the works — Universal Pictures and Focus Films have purchased the rights to all three books — but EMI Classics has jumped on the bandwagon early. After all, the book’s reference to “Spem in alium,” a 16th-century motet for 40 voices by Thomas Tallis, is credited with its surge to the top of the classical charts this summer in the UK.

        Source 2 3


        Tuesday, September 18, 2012

        'Fifty Shades of Grey' Author E.L. James Wrote Books on Her Cell Phone

        Via Glooce



        If "Fifty Shades of Grey" author E.L. James is trying to prove critics wrong who say her novels are nothing more than just poorly written "mommy porn," she has the worst public relations team in history.

        James has taken to making unimaginably oblivious statements in her interviews lately. In an interview just last week, the author said that the sex scenes in her books were fittingly inspired by the masochistic music of The Black Eyed Peas. Discussing her creative process with British newspaper The Sun, James divulged, "I have songs that I write sex to. One of them is The Black Eyed Peas' 'Sexy'. That is a very sexy song." She said in the least self-aware interview ever.

        And in a new radio interview set to be broadcast on British radio station Classic FM on Sept. 16 she lets another juicy fact slip.

        According to The Telegraph, the author of the erotica phenomenon revealed that the "Fifty Shades" books had humbler beginnings than even her most die-hard fans probably realize. In the interview, James divulges that she wrote the novels on an old Nokia cell phone during her regular commutes into London.

        "I'd be sitting on a train typing away on a phone," she says, adding that she would continue writing on the bus from Waterloo to Holborn. She would then beam the words to her computer at home.


        That definitely helps explain the quality of the writing found in the "Fifty Shades" novels. It's difficult to think of too many synonyms for words like "smart" and "smirk" while writing your book like the epic poem of text messages. 

        The trilogy may have sold over 10 million copies at this point, but the author also admitted that her father, who died in 2002, would likely have found their content a little too risky. When asked by interviewer Nick Ferrari how her dad - a former BBC cameraman - would have reacted to their content, James replies, "I have no idea. I don't even want to go there, thank you."

        While James does continue on to say that she thinks her father would have been "incredibly proud" of the success she has achieved, she added, "I just hope he would never read the books though."

        However the author says that her mother, who is originally from Chile, has given the books her official seal of approval.

        "She's read them twice. She has read them in Spanish as well. She thinks they are great," says James.


        The "Fifty Shades" trilogy has been the publishing sensation of the decade. What started as a self-published novel on the internet has spawned countless imitators and the film rights to the books have been picked up by Hollywood.

        Since being published last year, "Fifty Shades Of Grey" has become notorious for its explicit sexual content and controversial portrayal of a relationship involving BDSM. Now that the novel has sold more than 10 million copies to British readers, James' book is the UK's bestselling book of all time. All three books from James' trilogy have remained in the top five of The New Yorks Times' bestsellers list for over three months.

        A film version of the novel is also is in the works, but has no confirmed stars yet. Ryan Gosling, Christian Bale, Matt Bomer, and Robert Pattinson are among many actors' names that've been mentioned in casting the leading role of Christian Grey, a troubled businessman who seduces an innocent college graduate called Anastasia Steele.

        Source 2



        What Is 'Divergent,' and Why It May Be the Next 'Hunger Games'

        Via Glooce



        With Ender’s GameThe Mortal InstrumentsWarm BodiesIncarceronThe Night Circus, Switched and so many more on the way, which upcoming adaptation really has the chance of replacing The Twilight Saga and following in The Hunger Games’ footsteps? While all have pros, cons and all the potential in the world until we see the full feature, I find that it’s Veronica Roth’s Divergent that has the best shot at being the next big, successful franchise.


        Summit’s had the rights to the series since February 2011, but is first making moves toward bringing the film version to fruition now. It was recently revealed that Limitless director Neil Burger is in early talks to direct and, just the other day, Variety broke the news that the studio has set the film for a March 21, 2014 release. Remind you of a certain very successful book-to-film March release?


        Divergent certainly has the most going for it, making it the most likely to become the next big thing. Here's what you need to know about it now:


        The Book 


        The Basics


        Divergent, the first of a three-book series including Insurgent and book number three due in the fall of 2013, focuses on 16-year-old Beatrice Prior, a young girl born into the faction Abnegation. Come the Choosing Ceremony, Beatrice has the option to leave Abnegation, the group that places a focus on selflessness, and switch to one of the other four factions – the truthful Candor, the intelligent Erudite, the peaceful Amity or the fearless Dauntless.


        Picking a faction isn't like picking which club to join; it's picking a lifestyle. Because she's a member of Abnegation, Beatrice is not permitted to look into mirrors, must always wear gray clothing and have a plain hairstyle amongst many other faction requirements. Your faction dictates everything, even idle behavior. For example, an Erudite with free time on his or her hands better feel like studying.


        And then, even when you finally do make that fateful decision of which faction you'll live out your days with, there's a chance you might not even get in. Whether you choose the faction you were born into or not, you need to go through a rigorous initiation process. Of course initiation policies change from faction to faction, but each requires potential members to go through trying tests to make sure they're dedicated to their values. Should someone fail initiation, they are dubbed factionless, our equivalent of being homeless. Beatrice even goes as far as to say, "Without a faction, we have no purpose and no reason to live."


        Making the process even more difficult for Beatrice is that she's "Divergent". Going into the Choosing Ceremony, you've got three things to help you choose the right faction - the faction you were born into, the faction your heart draws you to and the results of your test -- one that measures your aptitude for the factions. Typically, a test offers up a single answer and that answer is the faction you’re meant for. However, in Beatrice’s case, she’s got an aptitude for more than one faction, making her Divergent, a quality she is strongly advised to keep to herself.


        It's a Fast Read


        Clearly I’ve plowed through my fair share of young adult novels, so at this point it’s easy to pinpoint the standouts. I’m a painfully slow reader, so while I wouldn’t want to reduce Divergent to an “easy read,” the fact that I could breeze through it certainly says something about Roth’s writing and the material’s entertainment value. Then there’s the late-night, can’t-stop issue. No, not every book needs chapter-ending cliffhangers, but they can’t hurt. Just like The Hunger Games, every time a chapter ofDivergent comes to a close, you get that desperation to continue, regardless of how early you’ve got to get up the next morning.


        A Strong Leading Lady


        Beatrice may not battle vampires or jump into an area where she’s got to take out 23 underage opponents, but her journey does involve life-changing decisions, a great deal of violence and, quite frequently, death.


        The way Roth opens the book is ingenious. Similar to The Hunger Games, before getting to the actual violence, we see our heroine through an incredibly trying scenario. For Katniss, it’s the Reaping, and for Beatrice, it’s the Choosing Ceremony. This isn’t like getting sorted into a house at Hogwarts. Teens must make a decision that will dictate their entire lives. Do you go with your gut and join the faction with the values that you believe in, possibly defying your family, or do you stay true to your roots and honor your parents?


        Without spoiling anything, further down the line, Beatrice encounters a number of very adult dilemmas, ones that require her to consider the well-being of her closest friends and what’s best for the population as a whole, all while struggling through some truly horrifying personal scenarios.



        Reasonable Romance


        What’s a young adult adaptation without a steamy romance? For all of you who are maxed out on love-struck brooding, you’re in luck: Divergent is without a love triangle and sappy situations. Beatrice does get herself a guy, but she certainly isn’t some schoolgirl with a secret crush on the cutest boy in class. Her relationship is directly connected to her post-Choosing Ceremony experience and is deeply rooted in the chain of events that follow.


        Real Issues


        The Volturi? A talking Lion? Witchcraft and wizardry? Divergent has its heightened moments, but in general everything is firmly grounded and, therefore, is something you can relate to.


        When Beatrice is choosing her faction, you can’t help but wonder what you would do should you find yourself choosing between personal values and your family. By the time Beatrice makes her choice and is on her way to becoming a full-fledged faction member, you’re torn between her desperation to avoid becoming Factionless, the equivalent of being homeless, and the severity of the initiation tasks she must complete.


        Similar to Hunger GamesDivergent also has quite a bit to say about government and means of managing the masses. It starts with this concept of the population being divided up into the five factions and whether or not that really is an effective structure, but then it transpires into something far less cut and dry, something devastatingly out of control and something we get to experience through Beatrice.


        It Won’t Be Easy


        Summit has certainly got another hot property in its hands, but that doesn’t necessarily mean the material will translate to film well. Again, similar to Hunger Games, this is going to be a very difficult world to bring to life visually. The story takes place in a dystopian landscape, and considering we get quite a few of those a year courtesy of the film industry, it’s going to be tough to make this world stand out and still feel authentic.


        It’ll undoubtedly be a handful, but Divergent is a stellar opportunity for a production and costume designer. The differences between the factions extend well beyond their core value. Each group also resides in regions tailor-made for their particular way of life and dress accordingly, too.


        Another challenge in the visual department will be the action. We’ve got characters jumping off of moving trains and it’s got to look like they do it with ease – eventually. It’s going to be really tough to get one clean shot of a character making the leap and landing. Could this compel Burger or whoever seals the deal to direct to go the shaky camera route à la Gary Ross? It’s a possibility, but as that was one of the more widespread criticisms of The Hunger Games, I’d like to bet the director and studio will make a point of not going that route again, or at least doing so with restraint.

         


        But perhaps the biggest challenge of them all will be casting Beatrice. Just as they did with Katniss Everdeen, Beatrice will likely be played by an older actress. She’s blonde, a little on the short side and, as a member of Abnegation should be, is described as plain. After deliberately trying to avoid the Fanning sisters, my mind gravitates towards AnnaSophia Robb. She’s got the look and, more importantly, is a very seasoned and incredibly talented actress. This is actually the reason I’m partially betting against The Mortal Instruments. With Abduction and Mirror Mirror on her resume, it’s just impossible to imagine Lily Collins carrying a film.


        As with any book-to-film adaptation, or really with any film at all, there’s always the chance of taking missteps with top-notch books or scripts, but having that quality source material is definitely one step in the right direction and Roth’s book is just that. Should Summit pick the right director (and Burger is certainly a solid option), pinpoint an appropriate budget (something along the lines of The Hunger Games’ $80 million would be more than enough), and nail the casting of Beatrice, Divergent and the films to follow could become one of the bigger and better young adult adaptations out there.


        source 2



        Monday, September 17, 2012

        JK Rowling's New Book Is Being Kept Very Hush-Hush

        Via Glooce




        CAN JK Rowling work her magic with adult fiction or will the change of genre prove a curse for the Harry Potter creator, asks Dani Garavelli

        IT IS being launched amidst the kind of secrecy that might surround a missile strike on foreign soil. At 8am on 27 September, The Casual ­Vacancy, JK Rowling’s first book for adults, will go on sale with booksellers possessing little more information on what’s inside than the 137-word blurb publishers Little, Brown released in April.


        Expectation has been building for months – some branches of Waterstones have been promoting the book since spring; several parodies have been spawned and fan-dom website Hypable has been drip-feeding followers whatever tidbits of information it can lay its hands on. But all anyone knows for certain about the new work is that it’s a 512-page darkly comic novel in which a ­sudden vacancy on a parish council ­reveals undercurrents of animosity in a village. Is it biting social satire or cosy crime? No-one will say. The cover, a gaudy red and yellow with an X in a ballot paper box, yields no clues beyond the obvious, that the author is trying to put as much distance between herself and Harry Potter as possible. And those few lucky enough to secure review copies have had to sign up to what has been dubbed a “super-embargo” – a confidentiality agreement which forbids anyone who signs it from revealing its very existence.

        The unusual (some might say defensive) marketing strategy is a reminder of just how much is at stake for Rowling, creator of the biggest franchise in the history of children’s literature. Worth £560 million, there is no financial imperative for her to keep on writing never mind experiment with a new genre. She must know the omens are not good. Author of the Twilight series Stephanie Meyer’s sales took a dive when she moved into adult fiction. Her sci-fi novel The Host sold a total of 2 million in hardback (where the fourth Twilight novel sold 1.3 million copies on its first day). And no one doubts there will be banks of ­critics – irritated by the scale of Rowling’s fame – who have already set themselves against her latest enterprise.

        “It’s a very brave move – hats off to her,” says Glasgow-based crime writer Denise Mina. “The easiest thing for her to do would be to stop writing. Writing’s really hard. Maybe once a day you think, ‘Why am I trying to do this?’ And most of us can say, ‘Well, I bought that boat’. But she has no need to keep doing it.”

        The news that Rowling’s editor at ­Little, Brown would be David Shelley, who has a track record in editing crime authors, has led many to conclude The Casual Vacancy is a mystery in the ­spirit of Poirot or Midsomer Murders. This has brought a negative reaction from some who view the genre as old-fashioned and effete. However Mina believes Rowling could well have tapped into the zeitgeist. “I think we are going to see a big upsurge in cosy crime,” she says. “People think it’s irrelevant, but they forget it is actually is a microcosm of a bigger statement in a small setting. In these really sinister times of Hillsborough and Leveson and police corruption, I don’t know how much more [urban noir] people can take. People don’t read crime to find out the truth about the world – they read it for escape.”

        As the rest of the world awaits her book, Rowling is continuing to upgrade her 17th-century mansion in Edinburgh. She may not be part of the fabric of the Scottish scene – she doesn’t attend many functions and her only Scottish book promotion is at the Lennoxlove Book Festival – but she seems committed to staying in the country where she got her first break. Having bought and demolished a neighbouring house to extend her garden, she was recently granted planning permission for a 40ft Hogwarts-style treehouse for her children.

        For all the envy Rowling’s lifestyle inspires in some, there are still plenty of people who wish her well. Others say she is lucky to be in a position where she is free to experiment. “She invested a considerable amount of time and energy in the Harry Potter series and if she felt she wanted to move on, it’s good she was in a position to be able to do that,” says Professor Willy Maley, co-founder of Glasgow University’s creative writing programme. “Yes, it is a bold thing to do. But there are many other writers who have been pigeon-holed and are stuck in a groove which they find difficult to get out of.”

        Why would Rowling put herself through this, unless she was determined to prove herself as a serious adult author? This is why – Little, Brown has implied – she insisted promotion be kept to a minimum. Rowling wants her current book to stand on its own merit and not on her reputation. Yet there’s a contradiction there. Without any information, booksellers are being forced to trade on her name alone. While less well-known authors are forced to attend book signings across the country, Rowling is doing a handful of TV interviews and even fewer personal appearances. And any ­attempt to dampen down expectations was surely sabotaged by US publisher Michael Pietsch’s claim that The Casual Vacancy reminded him of Dickens.

        At Blackwell Bookshop in Edinburgh – whose location close to Nicholson’s Cafe (where the author began her writing career) and the Balmoral Hotel (where the last chapters of The Deathly Hallows were penned) places it at the heart of JK Rowling country. Sales manager James Anderson anticipates a launch-day frenzy on a par with the publication of Dan Brown’s The Lost Symbol (eaux @this insulting comparison).

        “We have a pre-order scheme running, posters around the shop and at every till point – it’s one of the most anticipated books of the year.” Anderson says. ­“People are already talking about it – they want to see how she writes away from Harry Potter.”

        The timing of the launch at 8am GMT means that bookshops in some corners of the globe will be opening their shops at midnight. “It is frustrating that it’s been so tightly-guarded,” says Anderson, “but that’s part of the anticipation – that no-one’s seen the book other than her editor and herself.”

        Vanessa Robertson, who owns The ­Edinburgh Bookshop, is also expecting a lot of interest from diehard Harry Potter fans, but warns the author will face intense scrutiny. “The thing is, you couldn’t criticise the Harry Potter books – if you did, you were likely to get abusive letters. I do worry that with this, if it’s not up to standard, critics are going to be ready to condemn it. People need to be impressed. If it’s good and she pulls it off, they will think ‘great’. But, if it’s a case of selling it on the basis of the name rather than the content they won’t be so happy.” 



        SOURCE 2


        Monday, September 10, 2012

        UGGIE aka the Dog from 'The Artist' now has a Book

        Via Glooce



        Uggie gets a book deal ... plus a super-duper-cute book trailer. I can't even. 

        Source 1 / Source 2 



        Friday, September 7, 2012

        15 Strange Claims Naomi Wolf Makes About Vaginas

        Via Glooce



        In her new book, gender-politics author Naomi Wolf says vaginas can control our minds, make us more creative, and feel “vaginal grief.”

        1.A vagina is not happy without a penis.
        "A happy heterosexual vagina requires, to state the obvious, a virile man."

        2.Your vagina makes you a goddess. Or rather, "The Goddess."
        "Throughout this book, I will be referring to a state of mind or a condition of female consciousness I will call, for ease of reference, but also for the sake of the echo, 'the Goddess.' [...] I am carving out rhetorical space that does not yet exist when we talk about the vagina, but which refers to something very real."

        3.Foreplay is called "the Goddess Array."
        "The autonomic nervous system prepares the way for the neural impulses that will travel from vagina, clitoris, and labia to the brain, and this fascinating system regulates a woman's responses to the relaxation and stimulation provided by 'the Goddess Array,' the set of behaviors a lover uses to arouse his or her partner."

        4.The vagina can control the mind.
        "Once one understands what scientists at the most advanced laboratories and clinics around the world are confirming — that the vagina and the brain are essentially one network, or 'one whole system,' as they tend to put it, and that the vagina mediates female confidence, creativity, and sense of transcendence — the answers to many of these seeming mysteries fall into place."

        5.The vagina evolved to help women reach nirvana.
        "The mystical or transcendental potential of female sexuality [...] allows women to connect often, and in a unique way, even if just for brief moments, with experiences of a shining, 'divine,' or greater self (or nonself, as Buddhists would say) or with a sense of the connection among all things. Producing the stimulation necessary for these mind-states is part of the evolutionary task of the vagina."

        6.Uteruses can think.
        "I experienced some of the 'thoughts' of the uterus myself."

        7.The vagina is the meaning of life.
        "It is not so surprising that when the neural pathways from brain to vagina are damaged, one feels that life has less meaning; truly, the well-treated vagina is a medium that releases, in the female brain, what can be called without exaggeration the chemical components of the meaning of life itself."

        8.Women need love more than men, because of vaginas.
        "To respect the central paradox of the female condition — the sexual/emotional need of the vagina and cervix — might mean that we need to face the fact that women are, in a sense, more easily addicted to love and good sex with the person who triggers that heady chemical bath, than men are."

        9.Vaginas get depressed.
        "[...] between one woman in five and one woman in three seems to be suffering from something very like sexual, or even like vaginal, depression."

        10.They feel grief.
        "[...] I wanted to be sure I was isolating 'vaginal grief' from general physical grief."

        11.Sex for women (but not for men) is all about the "mind-heart-body connection."
        "The most destructive thing that men are being taught about women is that the vagina is just a sexual organ, and that sex for women is a sexual act in the same way it is for men. But neither gender is being taught about the delicate mind-heart-body connection that, it turns out, is female sexual response."

        12.Men told women not to touch their vaginas because they were too powerful.
        "Given the dopamine-vagina-brain nexus, it is not unreasonable in retrospect to understand that an ideology would arise — however subconsciously — that would increasingly rigorously keep these same newly educated, middle-class Western women, who were seeking and gaining so many new rights, from understanding how their own vaginas even worked, and that would indeed punish them in many ways for even considering touching their vaginas and clitorises in ways that would activate more unruly dopamine."

        13.The vagina has an imagination.
        "In the 1940s, Anais Nin, Henry Miller's lover and contemporary, worked in the sexual-transcendentalist tradition of the female modernists, who revered the imaginative potential of the vagina."

        14.Porn will ruin your vagina.
        "Female masturbation to porn can desensitize women themselves to their own vaginas."

        15.And your man, whom you need for your vagina.
        "[...] we are discovering that porn diminishes rather than heightens libido over time; that its effect on the phallus is ultimately unmanning and depressive; and that its effect on the vagina is a short-circuiting of the intense erotic potential — which means, also, the intense creative potential — inherent in every woman."

        Many of Wolf's chapter and section titles are also a bit bizarre. A sampling:
        "Porn and Vaginal Illiteracy"
        "Help Her Go Into An Orgasmic Trance State"
        "Modernism: The 'Liberated' Vagina"
        "Is The Vagina An Addict?"
        "The Self-Defining Vagina Of The Second Wave"
        "The Blues Vagina"

        Source
        source 2