HOLLYGOSSIP

Showing posts with label actresses interviews. Show all posts
Showing posts with label actresses interviews. Show all posts

Wednesday, December 12, 2012

Kristen Stewart covers Marie Claire Australia + Interview

via glooce


She found fame playing the world’s most famous virgin and stole the affections of a British heart-throb – then her affair with a married man hit the headlines. But Kristen Stewart has weathered the storm and is back to figuring out life post-Bella Swan.

"Challenge is my favourite thing in life,” said Kristen Stewart, grinning, her tousled brown hair casually tossed to one side. The Twilight star, sitting on a stage at Comic-Con in San Diego, California, last July, patiently and politely answered questions from the clamouring media pack.

Dressed in her uniform of street cool meets sophisticated luxe (pairing an on-trend fluoro skirt with a cropped white T-shirt and black high-top sneakers), Stewart answered each reporter’s inquiry with a poise that belied her 22 years.



Given that Stewart has spent the better part of the past four years shooting and promoting the Twilight movies, facing a near-constant barrage of repetitive questions about the billion-dollar movie juggernaut (not to mention about her “are they/aren’t they?” chemistry with co-star Robert Pattinson), the actor could be forgiven for greeting another round of media interviews with something less than enthusiasm. But, striding onto the stage in San Diego that day, Stewart radiated cheerfulness, happily opening up about her experience of working on the final installment in Stephenie Meyer’s blockbuster series, not a hint of a sulk in sight.

How did filming the Twilight series affect her, one journalist asked.

“Maybe it just affirmed my ideas of why I like to do what I do. You don’t always have to do an indie movie,” explained Stewart, patiently. “But as a person, I could not begin to answer that question right now. It’s so loaded.”

While Stewart struggled to articulate how the global success of Twilight has shaped and defined her life, the mega franchise has unquestionably had an impact. Since day one of Twilight, Stewart and co-star Pattinson have been inextricably linked in the public imagination, the intensely private nature of their off-screen romance only adding to the lustre of their golden couple status.

And Stewart has been inextricably linked, too, with Bella Swan, the schoolgirl-turned-vampire who made her a household name. With the end of Twilight in sight, Stewart told the audience in San Diego that she relished the prospect of spreading her wings and shrugging off any last vestiges of Bella. “The challenge we have ahead of us...I couldn’t ask for more,” she said.

But what no-one in the audience that day could have predicted was the enormous personal challenge Stewart was about to face. Just days later, she would find herself at the centre of a global media storm after paparazzi photographs emerged showing her and married Snow White And The Huntsman director, Rupert Sanders, hugging and kissing. Her public image swung from reluctant starlet to husband-stealing seductress. The reaction from fans at the apparently imminent demise of Robsten was nothing short of distraught – cue sobbing YouTube videos from Twihards and the sort of hysterical outpouring of grief and anger normally reserved for natural disasters or the death of a North Korean dictator.

Stewart responded by releasing a gut-wrenching statement apologising for the affair. She moved out of the LA home she shared with Pattinson.

In the months since, Stewart has had little contact with the press, but interviews she gave just before the scandal broke offered tantalising clues about her private life. Renowned for refusing to talk about anything touching on the personal, Stewart startlingly confided to British Vogue in June: “My God, I’m so in love with my boyfriend. I wish he were here now. I think I want to have his babies. God, I miss him. I love the way he smells. And him me. Like, he loves to lick under my armpits. I don’t get this obsession with washing the smell off; that smell of someone you love.”

Discussing life in general she commented, “You know when your blood pressure goes up and you are excited and you literally reach for your heart? That’s the reason I wanted to make Snow White. It physically felt like the right thing to do.” On working with Sanders she enthused: “Omigod, just, I mean, to die.”

When Stewart sat down for an interview with marie claire before the news of her relationship with Sanders hit the headlines, she professed a fierce sense of independence. “Thankfully I was never told I needed a Prince Charming or anything more than what I already had in me,” she offered. “You have to find your own way in life. I’m not into that rescue stuff.”

During the interview, the looming question for Stewart had nothing to do with the men in her life, but with “What next?” for the actor who has not been out of the spotlight since the first Twilight movie landed in 2008.

“I’m sort of bored now,” she confessed. “I wanna work on something and maybe it doesn’t have to be an acting job. I’ve been hanging out with my dogs and my family and, to be honest with you, I’m still catching up on sleep. I’ve worked for two years solid, literally since Eclipse. But I’m itchy now. I wanna do something.”

Her first shot at redefining her career came in September, with her star turn in the big-screen adaptation of Jack Kerouac’s On The Road.

Reminded that she need never work again for the rest of her life, she smiled and said: “Yeah, I know. I’m in an insane position that I would do my job for free and that’s something that a lot of people say, but I actually mean it. But you need to need it or else it’s not worth doing.”

That work ethic can largely be attributed to her upbringing. Raised by industry parents, she did her homework on the sets of her parents’ TV shows, where dad John Stewart worked as a stage manager and her mother, Jules Mann-Stewart – originally from Maroochydore, Queensland – as a script supervisor.

Buying her own house three years ago, Stewart chose to stay close to her parents and brothers in the unfashionable but family-friendly valley side of the Hollywood Hills.

“My parents are really working class. They make movies. I really looked up to them because of that, and always wanted to make movies and be a part of that. I don’t know what I’d be doing if I wasn’t an actor.

“Growing up, my parents weren’t overtly strict. They let me be who I wanted to be. It’s not like my mum ever sat me down and said, ‘You need to be yourself, Kristen’ or ‘Don’t take any crap, Kristen’, although she did say that to me quite a few times,” she recalled, laughing.

“I thought I was an adult when I was, like, 12. I don’t know why. I’ve never been complacent. I wasn’t brought up that way. I’m the youngest in my family and always felt like I had to take care of my brothers. I’ve always been a worrier. I’ve never been that kid who just doesn’t give a crap about anything, even when I was in kindergarten.”

Stewart admitted she has struggled with the attention fame has brought. “I’m particularly weird because I don’t even like being looked at,” she revealed. “A lot of actors love it and they love going out and literally doing it as an activity. I hate it.”

She spends little time in front of the mirror, leaving it to a six-member prep team to make her red-carpet ready. “I don’t especially enjoy the process, to be honest. I have a lot of actor friends who love getting ready for something just because they feel kind of important. I don’t identify with that. But being in the public eye, I’m expected to look good and I understand that.”

While strutting the red carpet might not be Stewart’s favourite way to spend an evening, her style has matured, the rock-chick standard of jeans and hoodie swapped for a polished and sophisticated wardrobe of sharply cut dresses and jackets. “It took years of my being forced on to the carpets when you have no choice but to do it, until one day you suddenly realise it’s a huge gift,” she said.

That sartorial education looks set to continue. This year, Stewart signed on as the face of Balenciaga’ new women’s fragrance, Florabotanica. In some respects it’s a no-brainer, her dark, rebellious streak pairing nicely with the label’s high-fashion style.

“It was one of those things that just felt right. I’m a huge fan of the fashion world now that I’ve been allowed to be a part of it, even if oftentimes I don’t even know what I’m wearing,” she said indicating her current choice of denim and a faded T-shirt. “But whenever I put on anything by Balenciaga I’m like, ‘Oh, that looks like Balenciaga!’ You can see it, you can pick it out of a rack.”

With the final Twilight instalment in cinemas, the “What next?” question for Stewart has taken on new meaning. Tabloid reports suggest she and Pattinson have rekindled their romance (and that she has bought a $2.2 million home within cooee of his LA mansion), and that she has beaten The Hunger Games actor Jennifer Lawrence in bagging the lead role in Lie Down In Darkness, an adaptation of William Styron’s 1951 novel. But, regardless of her personal life, one thing is certain: Stewart will approach the next chapter of her life with a fierce sense of independence and an unswerving hunger to make movies she is passionate about. As she said recently, “Now, I’m allowed to challenge myself the way I want to.”

Sources: 1 2 3



Tuesday, November 13, 2012

Lindsay Lohan Interview with the UK's Daily Mirror

via glooce

grass

It's easy to see why Lindsay Lohan fought so hard to play Elizabeth Taylor in a new drama, as their lives have striking parallels.


Both were hugely successful child stars, have been the subject of unrelenting public scrutiny and had a string of tempestuous love affairs.


But there’s one big difference: the 26-year-old hasn’t found her Richard Burton yet.


She has reportedly dated lots of hunky men, including Bruce Willis, Christian Slater, Colin Farrell and Jared Leto, but she still hasn’t found The One.


Lindsay, who plays Taylor in the TV movie Liz and Dick, says: “I can only imagine what it would be like to have the kind of love that she and Richard Burton had.


“It’s such a wonderful thing. It’s so heartbreaking. Love is scary and I’m yet to find that one person.


"I relate to the fact that Elizabeth Taylor once said, ‘I love being in love.’ I do, too. I love being in love.


“There’s nothing better than that first feeling of being in love, so I look forward to having that at some point.


“Yes, I’ve been in love with people – maybe one or two – but I haven’t really had a true love yet.”



Liz and Dick marks her comeback in front of the cameras after a rocky two years during which she spent three months in rehab at the Betty Ford Center under a court order and was charged with theft of a necklace and probation violation.

She was placed under house arrest wearing a tracking ankle monitor and was later found to have broken the terms of her probation by failing to perform community service.

She was sentenced to 30 days in jail but spent less than five hours there because of overcrowding. She is still on informal probation.

But, she says, she is trying hard to lose the “bad girl” image that has dogged her for so long and she is now concentrating on work.

“I fought to get the role in Liz and Dick because I related to her so much because of her position in the public eye and the media obsession with her, and the ups and downs in her relationships and life. And that’s aside from her love for diamonds!” she laughs.

“We’re both strong-willed and Elizabeth and her mother had a similar bond to the one I have with my mother.
"I learned from Liz that it’s OK to be in love and have heartache. She and Burton loved each other so much it was scary.”

When the role came along she was anxious to start work again and try to restore her reputation.

“I love acting and that’s what I started out doing and it’s unfortunate that people began to know me as a celebrity rather than an actress,” she says. “I can only hope to gain respect back through my work.”

And after so much turmoil she is determined to change her life.

“I care what people think but I am who I am and it’s unfortunate that some of the things that are meant to be kept private have been exposed and if I had the choice I wouldn’t have had it that way.

“I’ve drawn from experiences and from things I’ve seen and grown up with and I don’t want to go back.”

Lindsay believes that part of her problems stemmed from the people around her.

“When you’re filming, you’re part of a family and then when it stops you’re left alone with nothing and it gets lonely and depressing and sad.

“I was being hounded a lot and didn’t know what to do and didn’t want to listen to anyone. At the age when I would have been in college I was in Los Angeles living by myself and I didn’t have the best people with the best intentions around me.

“It’s hard for me to say ‘no’ to someone I love and I really don’t like to notice the bad in people and I’ve had to work on that because not everyone has your best interests at heart.

“When you reach a certain point of fame, people are willing to do whatever you ask them to do and are afraid to say no.

“That has a lot to do with living in excess and if you don’t have the right people around you then you’re never going to learn when to stop.”

Lindsay was upbeat and friendly when we talked in the Four Seasons Hotel in Beverly Hills.

Lively and quick-witted with a bright sense of humour, she talked frankly and openly about her life and problems despite the fact her publicists had ruled out any personal questions.

She was wearing a vintage blue dress, one of hundreds she keeps in storage units around LA.

“I was working and travelling a lot and living in different hotels and I didn’t want to bring everything with me so you end up buying more and then it comes home and people send you things.

“It just piles up and up and you want to keep getting the new thing so you end up having way too much,” says Lindsay, who once confessed to having spent £75,000 in one shopping spree.

“My garage is not a garage, it’s a closet,” she laughs. “I love clothing. It’s so expressive and whatever you wear on a certain day tells the story of who you are.”

Despite the fame and fortune life isn’t easy for Lindsay. Wherever she goes she is hounded by paparazzi and her troubled home life and anguished relationship with her father have come under almost constant scrutiny in the gossip columns and fan magazines.

She has been in showbusiness since she was three years old, when she was the first red-haired child signed by the Ford model agency.

Raised in Long Island, New York, she was sometimes thrust into the role of protector of her younger sister and two brothers from the antics and aggression of her father, a former Wall Street trader who was jailed for a series of offences.

Divorced from Lindsay’s mother Dina, Michael Lohan’s problems include alleged drug abuse, attempted assault, a fraud case, felony driving charges and a restraining order. He also tried to claim some of Lindsay’s earnings.

The actress made her film debut in 1998 playing twins in the remake of The Parent Trap and became a teenage star, thanks to roles in Freaky Friday and Mean Girls.

Her last movie was a small part in Machete two years ago but now she is back, with Liz and Dick, and has just finished two more films.

“I said to everyone I was working with, ‘Just keep me on set’ because that’s where I’m happiest and I lost that feeling for a while.

"Now I have it back I don’t want to give it up. I just want to keep making films. That’s my focus.

“I know that I’m a really good actress and I know I’ve had my faults. But knowing that and knowing that I love what I do has kept me going.”


Source 2



Thursday, September 20, 2012

Jennifer Lawrence gets interviewed by W Magazine

Via glooce



JENNIFER LAWRENCE IS READY FOR THE ROLE OF A LIFETIME:
THAT OF THE NEXT GREAT AMERICAN FILM STAR.


Jennifer Lawrence is only 22, but she has already been nominated for a best actress Academy Award, for Winter’s Bone, and starred in two blockbuster franchises. She was nude and blue as Mystique in X-Men: First Class, and in The Hunger Games she played Katniss Everdeen, the ultimate heroine for a dystopic age. In November, she stars in Silver Linings Playbook, a romantic comedy about emotionally damaged people.

You play a rather crazy widow in Silver Linings. Technically, you are too young to play that character. Did you have to audition?
I did. But I didn’t mind. People always worry that I’m wrong for the part: I’m usually too young—or, in the case of Katniss, they thought I was too old. I was blonde, and Katniss is brunette. So many problems. There were a lot of things that we just brushed under the rug.

The climax in Silver Linings is a big dance scene with Bradley Cooper, who plays your would-be boyfriend. Could you dance before this movie?
I’m such a bad dancer [laughs]. I don’t have many talents: I’m not a good cook, I can’t clean, and I can’t sew. The only thing I can do well is shoot bow and arrow—which I learned to do for The Hunger Games and will probably never come in handy—and act. Imagine me 100 years ago: I would have been pointless.

You could have acted! Although there weren’t movies like X-Men back then. Did you have to get naked and blue for the X-Men audition?
Not for the audition, but there was a moment where I thought I was going to have to paint my face and Skype with the director, and I said no. The first test where they painted me blue took around eight hours of makeup. I would stand, lean, or sit on a bicycle seat naked while they painted me. I have no modesty left after X-Men— I had blue in places I didn’t even know existed. Afterward, I had to go around naked, with scales over my private parts, surrounded by men. That cures you of all inhibition.

Did you end up hating blue?
Not really, but I did leave the color everywhere. The hotel in London wouldn’t give me my security deposit back because I turned their tub blue. I also did that to a lot of toilet seats on set. We called it “getting Mystiqued.”

After filming X-Men, you went straight into Oscar madness. Did you have fun at the Academy Awards?
It’s an honor and an overwhelming compliment, but it’s also a kind of bizarre thing. All of a sudden you’re at these parties and everybody’s famous, and you feel like a loser. By the time of the actual Oscars, I was so sick of fittings and trains and corsets and people asking “What are you going to wear?” I had to go on a diet, because at all the parties there’s champagne and hors d’oeuvres. I ate so much! I think I wore two Spanx on the night of the awards.

When you were at the Oscars, did you already know you were about to star in Hunger Games?
My mom talked about Hunger Games on the red carpet at the Academy Awards, which was something I had told her a million times not to do. She’s like Dina Lohan!—but she has good taste.

As soon as you got the part of Katniss, you began training. I read somewhere that you are so good with a bow and arrow that you could compete in archery at the Olympics.
I do love archery. I could kill someone with a bow and arrow if they’d hold still! With Hunger Games, I got really nervous about signing on to that huge franchise. I was afraid that Katniss would overwhelm any other character I’d try to do. But I love Katniss, and she didn’t take over as much of my life as I thought she would.

Tiffany in Silver Linings is very different from Katniss. She’s challenging and initially off-putting. Do you have to like a character to play her?
No. I don’t have to like them— a lot of people don’t like themselves. It’s nice not to be likable for the audience. It’s freeing to not have to get an audience on your side.

You started so young—you came to L.A. when you were only 15. One of your first movies was The Poker House, and your character in the film is raped. Was that traumatizing?
No. I hid the Poker House script from my parents so that I could audition for it. By the time I got the part, it was too late: They had to let me do it. During the filming of the rape scene, my mom was there. I was okay with it. I was very ballsy at that age—the typical kind of stubbornness that comes with being a teenager. I started out fearless, and now I’m terrified.

That is not true.
It is, and it isn’t: You do become more aware of your mortality as you get older. When you’re little, you jump on any wild horse. Then you get a little bit older and realize how fragile life is, and you’re more careful.

You sound so old. You’re 22!
I’ve been through a lot. I mean, I’ve been nude and painted blue! [Laughs] Truthfully, a lot has happened in a short time.

Have your feelings about the movie business and Los Angeles changed?
Sadly, I cannot live in Los Angeles anymore. I don’t understand how actors can do it. You have no life here. You are followed everywhere. It’s not like that anywhere else in the world. I don’t want to stay in L.A. and start thinking that’s reality—because it’s very far from normal. But I still love movies. I’m just going to love being in them from Kentucky, or Prague, or somewhere else.

source

Thursday, September 6, 2012

Kristen Stewart's FULL Vogue Interview

Via glooce

Via Glooce


It started straightforwardly enough. I was going to L.A. to interview one of the biggest stars in the world about her upcoming film. At 21, Kristen Stewart had just been listed by Forbes magazine as the highest-paid actress in Hollywood, a wealth largely due to Twilight, the vampire franchise in which she plays virgin idol, Bella Swan. The quintessential emo, famed for her baity persona, Stewart was second only to Kate Middleton in terms of public interest, an interest nurtured by our fascination with her off-screen courtship with co-star Robert Pattinson, which had tantalized the world with its are-they, aren’t-they narrative for years.

In this instance, however, Stewart was promoting a smaller, indie project: Walter Salles’s film adaptation of Jack Kerouac’s mostly autobiographical hipster classic On the Road. The book had been a passion of hers for years – of course it had! – and she’d lobbied and lobbied for the part of 16-year old Marylou (the free spirit based on Neal Cassady’s wife LuAnne, who also enjoyed a love affair with Kerouac). Maylous was a million miles away from Stewart’s neurotic and clumsy-to-the-point-of-syspraxic Swan; the perfect breakaway role. Like I said, it all seemed pretty straightforward.

And so we met, on a lovely sunny day at Casita del Campo, a gloomy, near-empty Mexican restaurant, not far from the Los Feliz mansion she shared with Pattinson. A tiny, intense presence, dressed in faded grey skinnies, she looked like a little doll as she slid into the booth. She had personally picked the venue, a) because there were sure to be no “cockroaches” (her word for the paparazzi) lurking in the bushes; and b) because, being a cool Silver Lake chick, she loves Mexican food. “I don’t even know why I’m looking at the menu,” she sighed, as she half-heartedly swiped a chip in the salsa. “I already made myself lunch.”

With her reputation for bolshiness (all that gurning and insistent wearing of trainers on the red carpet and so forth), I’d half-expected the meeting to be one of those classic journalistic struggles, but, in fact, she turned out to be excellent company; interesting, interested, articulate, funny, easy. She spoke carefully, with precision; a Valley Girl, sure, with all the “dudes” and the “likes”, but an articulate, measured one.

She was especially droll and affectionate about her upbringing in the San Fernando Valley; how her mother, Jules, a scriptwriter/artist/”doer to the point of OCDness”, has a proper tattoo sleeve, hair extensions and a dog that’s part wolf; how she has decorated almost every ceiling in the house with one of her crazy Alice in Wonderland mural; and how Kristen and her brother Cameron would come home from school and there Jules might be “ripping out a bathroom” because she was bored. She joked about how her dad, Bill, a stage manager with waist-length hair, had suddenly developed a thing for fashion and was “beginning to look like Karl Lagerfeld. He keeps asking me to get him a Balenciaga man-bag and I keep saying, ‘Dad? Absolutely not!”

And she was most forthcoming about On the Road, a copy of which decorated the dashboard of her first car when she was 16. We talked about how the part was a big departure from anything she had done previously. For one thing, there was nudity aplenty. In one scene, she, Sam Riley and Garrett Hedlund (who play Kerouac and Cassady respectively) attempt a threesome. In another, she gives them hand jobs simultaneously. But Stewart was up for it all. “Walter made us confident,” she said animatedly, but awkward in her desire to make herself clear. “He totally primed us to be in a position to do those things. We’d thought about it all so much that by the time we got to the set the story kind of worked its way through us. Like, we were vessels or something. In a way, I can’t take credit for any of it.”

Said Walter Salles, via email: “I met Kristen in Los Angeles. She knew On the Road inside out, and understood the character better than anyone I had met up to that point. LuAnne was decades ahead of her time. She was a free-spirited, non-judgemental young woman… but it was probably very difficult to be in her position in the late Forties, early Fifties, a constant challenge. Kristen understood this duality, the fact that the exhilarating moments had a painful counterpart.”

For someone whose reputation is so je m’en fous, Stewart was keen to declare how she had never thought of herself as a rebel at all. She described herself as the kind of kid who got panic attacks about her marks in school, and an adult who “always overthinks the though… Like how do you think of nothing?” It was, she conjectured, probably why she found the Beat Generation era so seductive. “What the fuck do I know, but I think that’s why the book will always be relevant. There is always going to be that seam of people who want things differently to the standardized version. It’s not necessarily a rebellious thing, it’s just who they are. That world back then, it just seems freer to me than anything I could ever touch and I’m fully nostalgic for it, even though I wasn’t even alive then…

“It’s the loyalty aspect of it all,” she went on in her low, earnest way. “I love being on the periphery with a group of people who have the same values that I do. People who don’t get off on fame, who just like the process of making movies and thrive on that, and fuck anybody who doesn’t.”

When I mentioned her upcoming nuptial with Pattinson (as had been reported that week in the tabloids, along with designs for the cake, the dress and details that Katy Perry was to be a bridesmaid), she merely shrugged her little dolly shoulders with the resignation of one long, long used to fantastical speculation and sighed. “Hey, they’re all fucking nuts. It changes every day. This whole, am I fashionable, am I not? Am I going out with my boyfriend, am I not? There’s never one constant. Of course it’s seductive and important, what people think about you, but you can’t pay attention. They can say what they want…”

They do say what they want. And sometimes you do have to pay attention. A month later, the same magazines that had described her “wedding” in such detail published pictures of her embracing not Pattinson but another man, Rupert Sanders, the British director of Snow White and the Huntsman, in which Stewart starred. Sanders is married to the model Liberty Ross, who played Stewart’s birth mother in the same film, and he is 21 years her senior.

A billion Twi-hard hearts convulsed with grief. The “Rob-sten” fantasy? Shattered? Overnight, she was receiving death threats, pilloried as the most hated homewrecker in Hollywood. Debate roiled and raged about how long the relationship had been going on. Then came Stewart’s almost implausibly contrite apology: “I’m deeply sorry for the hurt and embarrassment I’ve caused to those close to me and everyone this has affected. This momentary indiscretion has jeopardized the most important thing in my life, the person I love and respect the most: Rob. I love him, I love him, I’m so sorry.” Sanders even more contrite apology followed soon after.

The truth of it all? In the time since, I’ve scrolled back through my tapes and notes to glean clues as to what might have happed and have found few lightbulb absolutes.

“You know when your blood pressure goes up and you are excited and you literally reach for your heart,” Stewart had said at one point over lunch that day, while describing life in general. “That’s the reason I wanted to make Snow White. It physically felt like the right thing to do.” And to work with the first-time Brit director Sanders? “Omigod,” she had said, eyes fluttering skyward,”just, I mean, to die.”

Sanders was similarly effusive about her, taking time out to speak to me from his holiday in Hawaii. “She’d burnt her lower pelvis area, quite low down,” he had said of his first impression of the actress. “She was bandaging a bad burn there, in her very tight jeans, with a Camel clamped between her teeth. That was my very first image of her. She’s got this masculine edge. She’s like this beautiful tomboy or something. What surprised me most when I met Kristen was how unlike the character of Bella Swan she was in real life,” he added. “She was so tough, so grown up. She was exactly the modern badass version of Snow White that I was looking for. I wanted that young, spirited, rebellious warrior, and she epitomized all of that.”

“She and Liberty didn’t have very many scenes together,” he said, when I asked whether she and his wife were friends, “so they didn’t get to know each other that well. But they definitely have similarities. There’s a look they share. Kristen is almost like royalty the way she understands what she has to do, in the way that she has learnt to compartmentalize… Well, Lib’s quite ‘regal’ or something as well.”

Royalty, regal, spirited warrior. Stewart is a warrior, of sorts. Albeit a warrior, as Sanders once put it, with the weight of the world on her shoulders. She’s got that rock’n’roll edge, too, as played to perfection in her role as Joan Jett in The Runaways. I still have an image in my mind of her turning up on the Vogue shoot, requesting vodka and then downsizing to white wine “because it’s still only morning”.

But here’s the thing. To be 22 and to have assumed that unbelievably heavy mantle of fame and all that it entails… Might we not allow her some human error? Might she not be entitled to make some mistakes as she negotiates her way round a post-Twilight world, a block of time in her life she has likened to being away at school (both she and her brother were mostly home-educated).

“I can’t be a free spirit,” she had said, almost imploringly, at one point when we first met. “Not in a normal, relatable way anyway. I can’t even do my own groceries or walk through a mall. How could I be? But at the same time, there are always different ways I can explore my freedom. My country is definitely a smaller place to the way it was in On the Road, but that doesn’t mean the spirit will ever go away.”

The second and last time we met, Stewart and I were taking a cigarette break on the steps of the Hotel Particulier in Montmartre, where a dinner was being thrown in honour of her and Nicolas Ghesquiere. It was about a week after our first meeting and she was as disarmingly friendly and chatty as ever. As the face of the new Balenciaga fragrance, Florabotanica, Stewart was very much on show, in a baby-blue silk corset dress from the latest collection and high, patent ankle boots. Earlier, Ghesquiere had told me how he adored her ability to subert the red-carpet tradition; he loved the way was such a symbol of “tetchy youthfulness” and what fun she was to collaborate with on different looks.

Stewart had just returned from Sydney with Sanders and her Snow White co-star Chris Hemsworth on the last leg of the film’s promotional tour. She seemed a little tired (those slight bags under her eyes were a bit more pronounced, and she seemed almost a little constrained by all her finery), but – with that cigarette placed behind her back, like she was behind a bike shed, and a drink in hand – she was in full swing. In retrospect, perhaps dangerously so.

“My God, I’m so in love with my boyfriend,” she suddenly confided, squeezing her fists and stiffening that little body with anticipation. “I wish he were here now. I think I want to have his babies.”

Had I heard her right? Wasn’t her “boyfriend” the one thing she never talked about? To anyone? And yet here we were. “God, I miss him,” she said, raking her hair back and exhaling a plume of smoke. “I love the way he smells. And him me. Like, he loves to lick under my armpits. I don’t get this obsession with washing the smell off. That smell of someone you love. Don’t you think it’s the whole point?”


Looking back, the exchange still feels surreal. It took place just three weeks before those incriminating pictures were allegedly taken. Was she even talking about Pattinson? Was she having me on? Who knows?

I think back to something she said before in that crazy restaurant about wanting to be her own person, and not having to conform to expectations.

“Um, how do I put this perfectly?” she said, so concentrating on getting it out right that her knee started to jiggle. “Look. I know if you haven’t thought about how you want to present a very packaged idea of yourself then it can seem like you lack ambition. But, dude, honestly? I can’t. People expect it to be easy because there you are, out there, doing the thing that you want and making lots of money out of it. But, you know, I’m not that smooth. I can get clumsy around certain people. Like if I were to sit down and think, ‘OK, I’m really famous, how am I going to conduct myself in public?’ I wouldn’t know who that person would be! It would be a lot easier if I could, but I can’t.”

As we go to press, the story keeps changing, and people’s expectations are shifting daily. The premiere of Breaking Dawn (the final Twilight installment) and its attendant red-carpet rounds are yet to go ahead. Pattinson is said to have moved out of the Los Feliz house amid fabulous gossip concerning custody of the couple’s dog, Bear. Sanders, slated to make a further Snow White with Stewart, is yet to confirm his plans. He has not removed his wedding ring.

Work wise, Stewart won the plum role of Peyton Loftis – in the film of William Styron’s 1951 novel Lie Down in Darkness – the one she was supposed, mistakenly, to be feuding over with Jennifer Lawrence. Then there is Cali, on which she has her first producing credit. Professionally speaking, a cynic might wonder, could the current brouhaha work in her favour?





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Friday, August 24, 2012

Kristen Stewart interview with Little White Lies Magazine

VIA GLOOCE

 



Chapter One: The Question

Robert Pattinson. Twilight. Getting naked in indie movies. Fame. These are some of the things we won’t be talking about with Kristen Stewart. ”Oh, good.” says the actress, slightly taken aback when we give her the good news. We’re sat on the roof terrace of a hotel – heavily populated on the ground floor by security guards – and it’s week two of Cannes Film Festival. Only 22-years-old, Stewart is being afforded the kind of elite protection from the media usually reserved for Hollywood’s biggest megastars. But we don’t really want to ask her about that either.

In fact, LW Lies only has one question: what does Kristen Stewart want to talk about? ”Right,” she says. Then she thinks. ”I don’t want to sell myself. People are so weird. They suddenly find themselves so interesting that they think they’re worth selling. Typically speaking, the most interesting thing to me about myself is, right now, the fact that On the Road is coming out. And I want to talk about On the Road.




Chapter Two: On the Road

To talk about on the road is to discover that, although people ask Kristen Stewart a lot of questions, the answers all lead to one place. It’s really simple: she’s a 22-year-old kid who’s crazy-stupid in love with her job. “Oh my god, I fucking love it so much,” she beams. “I’m not Maryloul; I’m Sal. Right now, I feel so full. I’m like, bursting. I should be working. I don’t want to take a break. It’s funny, on set, I don’t have to go to the bathroom, I don’t have anything wrong, I’m perfectly fine, so through-and-through. I’m not hungry. I’m literally not even in my own body. They wrap and they send me back to my trailer and I fucking fall to pieces. I suddenly realise that I’ve had to pee for six hours. And I’m starving.”


This kamikaze work ethic left her co-star Chris Hemsworth dumbfounded on the blockbuster Snow White and the Huntsman. Why, wondered the Aussie heartthrob, was she attacking a basic Hollywood fantasy like it was a Paul Thomas Anderson drama? “Awww…” she smiles, affectionately. “He’s the same way. Well, he takes it very much at face value. Sometimes I need to make myself do that. I just really am trying, trying, all the time. I mean, Walter actually said to me several times during On the Road, ‘Stop reaching, you’re already there.’ But I like to be scared. I love to suddenly feel out of control. Actors walk around wearing these little tool-belts of acting skills. And I just don’t find that interesting to watch. I never want to see someone who clearly can cry at the drop of a hat. That’s so uninteresting. And so many actresses are so fucking crazy. They’re emotional wrecks, so they pretend to be these characters. But the emotions aren’t coming from the right place. Do you know what I mean?” And you have to remind her: this is your interview: you tell us.


Chapter Three: Coming from the Right Place

“At first, the reason I started doing this was literally just because I wanted a job. My parents are crew – my mom’s a script supervisor; my dad’s an AD – and I always looked up to them, I really completely glorified the movies. And so at first, I just wanted the responsibility. I wanted adults to talk to me. I wanted to be involved. I was bored. Then I turned 13 and did this movie called Speak…I mean, to do a date-rape movie at 13, it really affected me. I suddenly felt like things could be really important and really help people. I did this public service announcement right after I did the movie and this enormous influx of people called in and said things that they had never told anyone before. And it hit me so fucking hard. I was like, ‘Wow, something that I love, something that was so personal to me’ – because at that point, I had never gotten any aknowledgement for anything I’d done, it really was just for me – ‘suddenly touched people.’ Movies, they can be important if you want them to be.”

Chapter Four: Movies are important

So here it is. If you want them to be, even teen movies about hair-gelled vampires and werewolves in cut-off jeans can be important. They can help you make other movies, movies like On the Road, movies that might not get seen or even made without you.

In Hollywood, with great power comes…great parties. But here’s the reason why you wont see Stewart following Lindsay Lohan into the starlet scrapyard. Through some crazy accident, indie actress got bitten by a radioactive franchise and gained special powers. They won’t last forever. But while they do...”It’s weird to be in this position of, like…” She sighs, checking herself. “Not to sound fucking crazy, but ‘financial prowes’. I feel bad about it. I feel like you need to do something. I made Welcome to the Rileys [in which Stewart played a young woman with emotional issues] a few years back and now I want to open two halfway houses, one in New Orleans and one in LA, and I want to make a documentary about why it’s important. But all this ridiculously empty charity work that you see? Like, you show up at an event and you wear a dress and you auction your dress off and you suddenly feel important. I want to do it right. Right now, I just feel it. It’s not to be wasted. Because I know my value is fucking strong.”


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