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The 2013 Oscars have come to a close, but that doesn't mean us dedicated followers of the almighty awards season stop looking ahead twelve months from now when a new film will be crowned king of the world amidst all the backlash and hate that swirls around the event.
films we may have in store. While we may second guess the decisions of the Academy and consider them out-of-step with current trends in film, at the very least they give us a chance to consider what may be the best the year has to offer and what will be the most talked about films and performances come this year's awards race.
Pushing the build-up aside, my early year 2014 Oscar Preview begins today with the first ten films in a 40 movie preview. I will dedicated this space to ten new films each day and on Friday reprint the list in its entirety before opening the doors to my 2014 Oscar predictions next week.I hope to get into all of these questions and more over the next four days and then the predicting begins earlier than ever before when I open the doors to my 2014 Oscar predictions next week.
This is really a shot in the dark and it largely sticks out because of the lengths Matthew McConaughey went to in order to embody the central character, an electrician diagnosed with AIDS in the 1980s. The film essentially dramatizes a lot of what was seen in the Oscar-nominated documentary How to Survive a Plague and I can't quite tell if that hurts or helps its chances. Right now it's without a distributor and at this point it seems like a good fit for Toronto. Who's to say if it will get picked up and rushed into theaters or picked up and released in 2014? For now I'm keeping it in the game.
STUDIO: No Distributor Yet
CAST: Matthew McConaughey, Gael Garcia Bernal, Jennifer Garner, Jared Leto and Steve ZahnSYNOPSIS: A 1980s-set drama telling the story of Ron Woodroof (McConaughey), a Dallas electrician diagnosed with AIDS. Doctors gave him just a few months to live, but he managed to survive for six more years and prolong the lives of countless others by creating a smuggling operation for alternative treatments.
Foxcatcher
DIR. Bennett Miller / TBA 2013
Bennett Miller has given us Capote and Moneyball and now he's got Steve Carell, one of the hottest names around in Channing Tatum and the always-reliable Mark Ruffalo for Foxcatcher, a based on a true story feature from screenwriters Dan Futterman (Capote) and E. Max Frye. This one has a lot of potential in several categories.
STUDIO: Columbia Pictures
CAST: Steve Carell, Mark Ruffalo, Channing Tatum, Sienna Miller, Anthony Michael Hall and Vanessa RedgraveSYNOPSIS: Based on the true story of John du Pont (Carell), the paranoid schizophrenic heir to the du Pont chemical fortune who built a wrestling training facility called Team Foxcatcher on his Pennsylvania estate. David Schultz (Ruffalo) was a longtime friend of du Pont who had repeatedly tried to help him before du Pont shot and killed him in 1996.
Police never established a motive for the crime, which was witnessed by Schultz's wife and du Pont's head of security. After the shooting, du Pont barricaded himself in his mansion for two days while he negotiated his surrender over the phone.
Fruitvale
DIR. Ryan Coogler / October 18
If there's a film coming out of Sundance with a lot of heat it's Ryan Coogler's Fruitvale and with The Weinstein Co. picking it up you better believe people will be thinking Oscar for this one. Based on a true story and with high marks for up-and-comer Michael B. Jordan the sky is the limit for this one.
STUDIO: The Weinstein Co.
CAST: Michael B. Jordan, Melonie Diaz, Ahna O'Reilly, Chad Michael Murray, Kevin Durand and Octavia SpencerSYNOPSIS: Oscar Grant was a 22-year-old Bay Area resident who loved his friends, was generous to strangers, and had a hard time telling the truth to the mother of his beautiful daughter. He was scared and courageous and charming and raw, and as human as the community he was part of. That community paid attention to him, shouted on his behalf, and filmed him with their cell phones when BART officers,
who were strong, intimidated, and acting in the way they thought they were supposed to behave around people like Oscar, shot him in cold blood at the Fruitvale subway stop on New Year’s Day in 2009.
The Great Gatsby
DIR. Baz Luhrmann / May 10
Baz Luhrmann's Moulin Rouge! was released in June of 2011 and went on to score eight nominations at the 2002 Oscars, including Best Picture alongside A Beautiful Mind, Gosford Park, In the Bedroom and The Lord of the Rings: The Fellowship of the Ring. Yes, Luhrmann hasn't given us much since. Yes, that wasn't a particularly great Best Picture line-up, and yes, The Great Gatsby has already been delayed with not-so-nice rumors swirling around its post-produciton. Nevertheles, I'm not ready to count out an adaptation of one of the greatest books of all-time featuring a cast such as this one, even if I believe Luhrmann has turned into a visual director more than anything else.
STUDIO: Warner Bros.
CAST: Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, Joel Edgerton, Jason Clarke, Isla Fisher and Gemma WardSYNOPSIS: The Great Gatsby follows Fitzgerald-like, would-be writer Nick Carraway (Tobey Maguire) as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz and bootleg kings. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby (Leonardo DiCaprio) and across the bay from his cousin, Daisy (Carey Mulligan) and her philandering, blue-blooded husband, Tom Buchanan (Joel Edgerton). It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.
Parkland
DIR. Peter Landesman / TBA 2013
distributor, but production began at the end of January giving this one time to be sold at the Cannes marketplace and perhaps find itself a nice, late year release and Toronto premiere.
UPDATED: As a commenter has pointed out below, Open Road Films will distribute Parkland.STUDIO: Open Road Films
CAST: Zac Efron, Marcia Gay Harden, Paul Giamatti, Billy Bob Thornton, Jacki Weaver, James Badge Dale, Jackie Earle Haley, Colin Hanks and David Harbour
The Place Beyond the Pines
DIR. Derek Cianfrance / March 29
I don't think Derek Cianfrance's The Place Beyond the Pines has much of a shot at Best Picture, Focus' decision to release it in March more-or-less sealed that deal, but acting wise Bradley Cooper and Ryan Gosling may have a shot her, though I wouldn't wager too much money on either of them, especially with Cooper having Serena and possibly David O. Russell's Abscam project later this year and Gosling starring in Nicolas Winding Refn's Only God Forgives. You can read my review of the film from Toronto last year right here.
STUDIO: Focus Features
CAST: Ryan Gosling, Bradley Cooper, Eva Mendes, Ray Liotta, Rose Byrne, Dane DeHaan, Bruce Greenwood, Ben Mendelsohn and Emory CohenSYNOPSIS: Luke (Ryan Gosling) is a professional motorcycle rider who turns to bank robberies to support his newborn son, but when he crosses paths with a rookie police officer (Bradley Cooper) their violent confrontation spirals into a tense generational feud. The Place Beyond the Pines is a rich, dramatic thriller that traces the intersecting lives of fathers and sons, cops and robbers, heroes and villains.
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In 2006, 20-year-old NYU dropout Stefani Angelina Germanotta changed her name to Lady Gaga and began her plot to take over the world. It only took about three years. In that time, she brought her Madonna-inspired dance songs from downtown Manhattan's cramped Bitter End to a multiple-night stand at Madison Square Garden. It was easy to dismiss her first big single, "Just Dance," as a pop trifle – but the hits kept coming at a dizzying pace ("Poker Face," "Paparazzi," "Bad Romance," "Edge of Glory"), each one more impressive than the last. Gaga also understands the 24/7 media culture better than any of her peers: she treats the whole world as a stage, posing in outrageously freaky costumes everywhere she goes, from the airport to the Grammys. By preaching the gospel of tolerance and self-respect to her army of "Little Monsters," she's split the difference between Oprah Winfrey and Madonna. It's a highly potent formula that's turned her into arguably the biggest star of the new millennium, with a staggering 34,500,000 Twitter followers. Her only challenge now is finding new ways to wow her audience.
BEYONCE
Even if Beyonce Knowles had never done anything beyond the string of hits she recorded with Destiny's Child in the late 1990s and early 2000s, we'd still remember her as the leader of one of the greatest girl groups of all time – for "No, No, No," for "Bills, Bills, Bills," for "Say My Name" and "Independent Women" and of course for "Bootylicious." But that was just the beginning. As a solo artist, Beyoncé has soared to new heights of inspiration. Her many smash singles, from "Crazy in Love" to "Irreplaceable" to "Single Ladies," make up one of the past decade's strongest pop portfolios. More than that, though, Beyoncé herself has become an icon to countless fans – a high priestess of empowerment and unflappable attitude.
RIHANNA
"The joke was always, 'We'll take Detroit garage rock to the world," Jack White told Rolling Stone in 2002. Mission accomplished. The White Stripes' combination of raucous punk and Delta blues resonated with MTV and rock radio, and their 2003 single "Seven Nation Army" has become a worldwide soccer stadium anthem. Born on the Detroit club scene in 1997, the band hit big in the early 2000s with a fully realized aesthetic: childlike lyrics, a peppermint color scheme, an obsession with the number three and supposed family ties (White introducing drummer Meg onstage as his "big sister," when they were actually exes). But they truly thrived during their intense live gigs, where White tore up his cheapo Airline guitar and pogoed across the stage as Meg thrashed like a cavewoman. "There is something about the way I attack things and the way she attacks things," White told Rolling Stone in 2005. "When you put those dynamics together, something interesting happens." The Stripes officially called it quits in 2011 after a few years of inactivity, but White has blazed forward on his own – most recently with his excellent solo debut, 2012's Blunderbuss.
Green Day rose out of the San Francisco punk rock scene of the late 1980s, but from the very beginning they had global ambitions. Despite the inevitable cries of "sell-out," the three-piece band signed to a major label in 1994 and released Dookie. Within months, every high school kid in America was blasting "Longview," "Basket Case" and "Welcome to Paradise" in their bedrooms, and the band was stealing the show at Woodstock 1994. They continued to release hit records over the next decade (including the ballad "Good Riddance (Time of Your Life)," but in 2004, they wowed the critics with their anti-Bush rock operaAmerican Idiot. Just as they were about to be written off as has-beens, an entirely new generation of teenagers became obsessed with the group and the album became a landmark release. Nearly a decade later, they remain one of the biggest bands on the planet.
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