Irish Hunk Actor Jamie Dornan sexy black and white Pictures including shirtless Pics

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Jamie Dornan

James "Jamie" Dornan is a Northern Irish actor, model and musician, perhaps best known for playing Sheriff Graham in the ABC series Once Upon a Time. Wikipedia

Born: May 1, 1982 (age 30), Belfast

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Kelly Osbourne hits The Hospital after Seizure

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Kelly Osbourne was just rushed to an L.A. hospital after suffering a seizure while taping her show "Fashion Police."

An ambulance rushed to the scene and Kelly was taken away by stretcher. People held up white sheets to shield her from the media and a white sheet was covering her entire body, including her face.

Kelly was sitting in a chair, shooting the show in front of a full studio audience. Melissa Rivers was sitting next to her, filling in for Giuliana Rancic. Kelly turned to Melissa and said, "I don't feel good," and then she fell out of the chair and started shaking. Melissa then turned Kelly's head to help her. Someone from the audience -- some kind of emergency responder -- then ran up and helped.

Kelly came around a few moments later, but her handlers wanted to have her hospitalized anyway.

The incident occurred at the E! building on Wilshire Blvd., just before noon.

We do not know what triggered the episode. As for her condition, it's unknown, but Joan Rivers -- who was also present on set when Kelly suffered the seizure -- tells TMZ, "She is fine. We just saw her."

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2 New Hunger Games Catching Fire Movie Posters featuring Finnick and Caesar

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Hollywood Movies that could be nominated for The Oscars in 2014

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The 2013 Oscars have come to a close, but that doesn't mean us dedicated followers of the almighty awards season stop looking ahead twelve months from now when a new film will be crowned king of the world amidst all the backlash and hate that swirls around the event.

Instead of focusing on the negative, let's keep positive. Let's look forward to the next ten months of 2013 and ponder what possible great

films we may have in store. While we may second guess the decisions of the Academy and consider them out-of-step with current trends in film, at the very least they give us a chance to consider what may be the best the year has to offer and what will be the most talked about films and performances come this year's awards race.

Pushing the build-up aside, my early year 2014 Oscar Preview begins today with the first ten films in a 40 movie preview. I will dedicated this space to ten new films each day and on Friday reprint the list in its entirety before opening the doors to my 2014 Oscar predictions next week.

In each preview I've included some thoughts on each film's Oscar potential and what categories they may most likely find themselves nominated. I've included the cast, director, studio, synopsis and release date where applicable. Some of these films don't even have distribution yet, how will that effect their award campaign? When will some most likely premiere? What films will we likely see at this year's film festivals?

I hope to get into all of these questions and more over the next four days and then the predicting begins earlier than ever before when I open the doors to my 2014 Oscar predictions next week.

Dallas Buyers Club
DIR. Jean-Marc Vallée / TBA 2013

Jared Leto (left) and Matthew McConaughey on the set of Dallas Buyers Club

This is really a shot in the dark and it largely sticks out because of the lengths Matthew McConaughey went to in order to embody the central character, an electrician diagnosed with AIDS in the 1980s. The film essentially dramatizes a lot of what was seen in the Oscar-nominated documentary How to Survive a Plague and I can't quite tell if that hurts or helps its chances. Right now it's without a distributor and at this point it seems like a good fit for Toronto. Who's to say if it will get picked up and rushed into theaters or picked up and released in 2014? For now I'm keeping it in the game.

POTENTIAL OSCAR CATEGORIES: Best Picture, Director, Actor (Matthew McConaughey), Original Screenplay (Craig Borten and Melisa Wallack)

STUDIO: No Distributor Yet

CAST: Matthew McConaughey, Gael Garcia Bernal, Jennifer Garner, Jared Leto and Steve Zahn

SYNOPSIS: A 1980s-set drama telling the story of Ron Woodroof (McConaughey), a Dallas electrician diagnosed with AIDS. Doctors gave him just a few months to live, but he managed to survive for six more years and prolong the lives of countless others by creating a smuggling operation for alternative treatments.

Foxcatcher
DIR. Bennett Miller / TBA 2013

Channing Tatum and Mark Ruffalo on the set of Foxcatcher

Bennett Miller has given us Capote and Moneyball and now he's got Steve Carell, one of the hottest names around in Channing Tatum and the always-reliable Mark Ruffalo for Foxcatcher, a based on a true story feature from screenwriters Dan Futterman (Capote) and E. Max Frye. This one has a lot of potential in several categories.

POTENTIAL OSCAR CATEGORIES: Best Picture, Director, Best Actor (Steve Carell), Supporting Actor (Channing Tatum and Mark Ruffalo), Adapted Screenplay (Dan Futterman and E. Max Frye), Cinematography (Greig Fraser), Film Editing (Stuart Levy)

STUDIO: Columbia Pictures

CAST: Steve Carell, Mark Ruffalo, Channing Tatum, Sienna Miller, Anthony Michael Hall and Vanessa Redgrave

SYNOPSIS: Based on the true story of John du Pont (Carell), the paranoid schizophrenic heir to the du Pont chemical fortune who built a wrestling training facility called Team Foxcatcher on his Pennsylvania estate. David Schultz (Ruffalo) was a longtime friend of du Pont who had repeatedly tried to help him before du Pont shot and killed him in 1996.

Police never established a motive for the crime, which was witnessed by Schultz's wife and du Pont's head of security. After the shooting, du Pont barricaded himself in his mansion for two days while he negotiated his surrender over the phone.

Fruitvale
DIR. Ryan Coogler / October 18

Michael B. Jordan in Fruitvale
Photo: The Weinstein Co.

If there's a film coming out of Sundance with a lot of heat it's Ryan Coogler's Fruitvale and with The Weinstein Co. picking it up you better believe people will be thinking Oscar for this one. Based on a true story and with high marks for up-and-comer Michael B. Jordan the sky is the limit for this one.

POTENTIAL OSCAR CATEGORIES: Best Picture, Director, Original Screenplay (Ryan Coogler), Best Actor (Michael B. Jordan)

STUDIO: The Weinstein Co.

CAST: Michael B. Jordan, Melonie Diaz, Ahna O'Reilly, Chad Michael Murray, Kevin Durand and Octavia Spencer

SYNOPSIS: Oscar Grant was a 22-year-old Bay Area resident who loved his friends, was generous to strangers, and had a hard time telling the truth to the mother of his beautiful daughter. He was scared and courageous and charming and raw, and as human as the community he was part of. That community paid attention to him, shouted on his behalf, and filmed him with their cell phones when BART officers,
who were strong, intimidated, and acting in the way they thought they were supposed to behave around people like Oscar, shot him in cold blood at the Fruitvale subway stop on New Year’s Day in 2009.

The Great Gatsby
DIR. Baz Luhrmann / May 10

Leonardo DiCaprio in The Great Gatsby

Photo: Warner Bros.

Baz Luhrmann's Moulin Rouge! was released in June of 2011 and went on to score eight nominations at the 2002 Oscars, including Best Picture alongside A Beautiful Mind, Gosford Park, In the Bedroom and The Lord of the Rings: The Fellowship of the Ring. Yes, Luhrmann hasn't given us much since. Yes, that wasn't a particularly great Best Picture line-up, and yes, The Great Gatsby has already been delayed with not-so-nice rumors swirling around its post-produciton. Nevertheles, I'm not ready to count out an adaptation of one of the greatest books of all-time featuring a cast such as this one, even if I believe Luhrmann has turned into a visual director more than anything else.

POTENTIAL OSCAR CATEGORIES: Best Picture, Director, Actor (Leonardo DiCaprio and/or Tobey Maguire), Supporting Actress (Carey Mulligan), Original Score (Craig Armstrong), Cinematography (Simon Duggan), Costumes (Catherine Martin), Visual Effects, Adapted
Screenplay (Baz Luhrmann and Craig Pearce)

STUDIO: Warner Bros.

CAST: Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, Joel Edgerton, Jason Clarke, Isla Fisher and Gemma Ward

SYNOPSIS: The Great Gatsby follows Fitzgerald-like, would-be writer Nick Carraway (Tobey Maguire) as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz and bootleg kings. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby (Leonardo DiCaprio) and across the bay from his cousin, Daisy (Carey Mulligan) and her philandering, blue-blooded husband, Tom Buchanan (Joel Edgerton). It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

Parkland
DIR. Peter Landesman / TBA 2013

Writer/director Peter Landesman adapted and will direct Parkland based on the book "Reclaiming History: The Assassination of President John F. Kennedy" by Vincent Bugliosi and he's got an all-star cast to help him do it. Only problem in terms of Oscar is this one doesn't have a

distributor, but production began at the end of January giving this one time to be sold at the Cannes marketplace and perhaps find itself a nice, late year release and Toronto premiere.

UPDATED: As a commenter has pointed out below, Open Road Films will distribute Parkland.

POTENTIAL OSCAR CATEGORIES: Supporting categories, Cinematography (Barry Ackroyd), Costumes

STUDIO: Open Road Films

CAST: Zac Efron, Marcia Gay Harden, Paul Giamatti, Billy Bob Thornton, Jacki Weaver, James Badge Dale, Jackie Earle Haley, Colin Hanks and David Harbour

SYNOPSIS: Parkland recounts the chaotic events that occurred at Parkland Hospital in Dallas on the day President John F. Kennedy was assassinated, November 22nd 1963. Part thriller, part real-time drama, Parkland is the ferocious, heart-stopping story of unexceptional people fighting for survival and reaching for heroism in an exceptional time.

The Place Beyond the Pines
DIR. Derek Cianfrance / March 29

Ryan Gosling in The Place Beyond the Pines

Photo: Sierra Affinity

I don't think Derek Cianfrance's The Place Beyond the Pines has much of a shot at Best Picture, Focus' decision to release it in March more-or-less sealed that deal, but acting wise Bradley Cooper and Ryan Gosling may have a shot her, though I wouldn't wager too much money on either of them, especially with Cooper having Serena and possibly David O. Russell's Abscam project later this year and Gosling starring in Nicolas Winding Refn's Only God Forgives. You can read my review of the film from Toronto last year right here.

POTENTIAL OSCAR CATEGORIES: Best Actor (Bradley Cooper), Supporting Actor (Ryan Gosling), Supporting Actress (Eva Mendes)

STUDIO: Focus Features

CAST: Ryan Gosling, Bradley Cooper, Eva Mendes, Ray Liotta, Rose Byrne, Dane DeHaan, Bruce Greenwood, Ben Mendelsohn and Emory Cohen

SYNOPSIS: Luke (Ryan Gosling) is a professional motorcycle rider who turns to bank robberies to support his newborn son, but when he crosses paths with a rookie police officer (Bradley Cooper) their violent confrontation spirals into a tense generational feud. The Place Beyond the Pines is a rich, dramatic thriller that traces the intersecting lives of fathers and sons, cops and robbers, heroes and villains.

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Jennifer Lawrence Admits To Being The Unpopular Girl In Middle School

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The ubiquitous Jennifer Lawrence is on everyone's BFF wish-list nowadays, but turns out that wasn't always the case. The 22-year-old actress revealed to The Sun that she was bullied throughout her childhood, something that built her character and made her who she is today.

"I changed schools a lot when I was in elementary school because some girls were mean," Lawrence told The Sun. "They were less mean in middle school, because I was doing all right, although this one girl gave me invitations to hand out to her birthday party that I wasn't invited to."

But a Jennifer Lawrence story wouldn't be complete without a Jennifer Lawrence twist: "I just hocked a loogie on them and threw them in the trash can," she added. "Don't worry about the bitches. That could be a good motto, because you come across people like that throughout your life."

Lawrence also opened up about her new, slightly more grown-up status. "As for being a sex symbol, I don't think of myself as sexy and, obviously, it's not true," she said. "I'm going to try to push that out of my mind because it makes me queasy."

And if she is perceived as such, you can't chalk it up to trying. "The other day I had pizza for breakfast, buffalo wings for lunch and pizza for dinner," she told The Sun. "Probably my favourite food is a potato -- just a potato, because I like fries, boiled potatoes, mashed potatoes, baked potatoes."

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Emma Stone to star in Birdman with Naomi Watts, Michael Keaton and Zach Galifianakis

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Michael Keaton, Emma Stone, Naomi Watts, and Zach Galifianakis, will star in Birdman, Alejandro Gonzalez Innaritu’s latest project that is being made by Fox Searchlight and New Regency.

As opposed to his usual soul-searing dramas, Birdman is a dark comedy piece follows a former actor, who once played an iconic superhero, as he mounts a Broadway play based on a Raymond Chandler short story in a bid to reclaim past glory. However, the play’s egotistical leading man threatens to throw everything down the tubes.

Keaton, who ironically played Batman in the early 1990s Tim Burton movies, is the comic book movie star trying to regain his credibility. Stone will play Keaton’s daughter, fresh from rehab and now his assistant. Watts will be an actress in the play while Galifianakis will play the production's conniving producer. The other main parts to be cast include the play’s leading man and the ex-wife.

Innaritu co-wrote the script with Nicolas Giacobone, Alexander Dinelaris and Armando Bo. Inarritu is producing with Robert Graf and John Lesher.

An early April production start is being eyed.

Stone is currently shooting The Amazing Spider-Man 2 and is attached to star in Guillermo del Toro's Crimson Peak while Watts, who worked with Innaritu on 2003's 21 Grams, is coming off an Oscar nomination for her performance in Summit’s The Impossible.

Galifianakis next reprises his breakout role as Wolf Pack member Alan in The Hangover III while Keaton recently wrapped shooting a turn in MGM’s remake of Robocop.

Stone is repped by WME, Anonymous Content, and Ziffren Brittenham while Watts is repped by CAA, Untitled and Hanson Jacobson.

Galifianakis is repped by CAA, Brillstein Entertainment Partners and Morris Yorn. Keaton is repped by ICM and Ziffren Brittenham.

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Rolling Stone: The New Immortals -Taylor Swift,Beyonce,Rihanna,Lady Gaga

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Back in 2004, Rolling Stone assembled an expert panel of musicians, industry figures and critics to pick the 50 greatest artists of all time. We called these artists "The Immortals." A year later, our panelists expanded the roster to 100 all-time great artists, which you can read right here. But time stands still for no list, and when we look around us today we see a whole galaxy of other stars who belong in the Immortals conversation. Click through for 14 currently active (or relatively recently defunct) artists who we think will stand the test of time – the kind of acts whose names we wouldn't be surprised to see on a Rock and Roll Hall of Fame ballot at some point down the road when they become eligible.
Meet the New Immortals.

TAYLOR SWIFT

If Taylor Swift stopped producing hits right now, at 23, she could tour a killer oldies show  for the rest of her life. Her catalog is already jam-packed with acoustic gems ("Fifteen," "Mean"), country-pop relationship anthems ("Sparks Fly," "The Story of Us") and stadium-size epics ("I Knew You Were Trouble," "State of Grace"). Swift grew up obsessed with the Dixie Chicks on a Christmas tree farm in rural Pennsylvania; she started writing songs at 14 before moving to Tennessee. It didn't take her long to conquer the Nashville machine – or to break out of it. She's sold more than 25 million albums, recently dominating the pop charts with her dubstep smackdown "I Knew You Were Trouble" and the bubblegum stomper "We Are Never Ever Getting Back Together." No matter what she does musically, Swift has chronicled growing up and navigating tricky relationships better than anyone else in the 2000s. "I know general things about love," she told Rolling Stone last year. "How to treat people well, what you deserve and when to walk away. Other than that, love is a complete mystery – and that's why I like to write about it."

KANYE WEST

Back in 2000, when Kanye West was an up-and-coming producer from Chicago with a name that people kept mispronouncing (if they knew it at all), virtually no one expected him to become a superstar. No one, that is, except Kanye West. He pursued his vision until it became a reality – placing several beats on Jay-Z's 2001 LP The Blueprint, then stepping into the spotlight with his brilliant debut, 2004's The College Dropout. He could have settled into a comfortable career from there, but Kanye has never been one to settle. His music got even more ambitious with each release, even as his lyrics got more searingly honest, peaking with 2010's complicated masterpiece, My Beautiful Dark Twisted Fantasy. Once he was an outsider; today, it's just about impossible to imagine our world without him.


LADY GAGA

 

In 2006, 20-year-old NYU dropout Stefani Angelina Germanotta changed her name to Lady Gaga and began her plot to take over the world. It only took about three years. In that time, she brought her Madonna-inspired dance songs from downtown Manhattan's cramped Bitter End to a multiple-night stand at Madison Square Garden. It was easy to dismiss her first big single, "Just Dance," as a pop trifle – but the hits kept coming at a dizzying pace ("Poker Face," "Paparazzi," "Bad Romance," "Edge of Glory"), each one more impressive than the last. Gaga also understands the 24/7 media culture better than any of her peers: she treats the whole world as a stage, posing in outrageously freaky costumes everywhere she goes, from the airport to the Grammys. By preaching the gospel of tolerance and self-respect to her army of "Little Monsters," she's split the difference between Oprah Winfrey and Madonna. It's a highly potent formula that's turned her into arguably the biggest star of the new millennium, with a staggering 34,500,000 Twitter followers. Her only challenge now is finding new ways to wow her audience.

BEYONCE

Even if Beyonce Knowles had never done anything beyond the string of hits she recorded with Destiny's Child in the late 1990s and early 2000s, we'd still remember her as the leader of one of the greatest girl groups of all time – for "No, No, No," for "Bills, Bills, Bills," for "Say My Name" and "Independent Women" and of course for "Bootylicious." But that was just the beginning. As a solo artist, Beyoncé has soared to new heights of inspiration. Her many smash singles, from "Crazy in Love" to "Irreplaceable" to "Single Ladies," make up one of the past decade's strongest pop portfolios. More than that, though, Beyoncé herself has become an icon to countless fans – a high priestess of empowerment and unflappable attitude.

 

RIHANNA

Going by numbers alone, Rihanna is already written into the history books in bold ink. Her digital sales add up to 100 million – more than anyone, anywhere, ever. Her catalog of hits includes a dozen Number One smashes, from 2006's "SOS" to 2012's "Diamonds" – the same number as Madonna and the Supremes, and more than anyone else except the Beatles, Mariah Carey and Michael Jackson. But Rihanna's appeal transcends statistics. She's a star in the truest sense: a wild, larger-than-life personality you just can't look away from. Tabloid wildfires may rage all around her, but she shines bright through it all.


THE WHITE STRIPES

"The joke was always, 'We'll take Detroit garage rock to the world," Jack White told Rolling Stone in 2002. Mission accomplished. The White Stripes' combination of raucous punk and Delta blues resonated with MTV and rock radio, and their 2003 single "Seven Nation Army" has become a worldwide soccer stadium anthem. Born on the Detroit club scene in 1997, the band hit big in the early 2000s with a fully realized aesthetic: childlike lyrics, a peppermint color scheme, an obsession with the number three and supposed family ties (White introducing drummer Meg onstage as his "big sister," when they were actually exes). But they truly thrived during their intense live gigs, where White tore up his cheapo Airline guitar and pogoed across the stage as Meg thrashed like a cavewoman. "There is something about the way I attack things and the way she attacks things," White told Rolling Stone in 2005. "When you put those dynamics together, something interesting happens." The Stripes officially called it quits in 2011 after a few years of inactivity, but White has blazed forward on his own – most recently with his excellent solo debut, 2012's Blunderbuss.

THE ROOTS

The Roots may not have technically been the first live band in hip-hop – shout-out to Stetsasonic – but hands down, they're the greatest. Drummer Ahmir Thompson (a.k.a. Questlove) and rapper Tariq Trotter (a.k.a. Black Thought) connected in the late 1980s, when they were classmates at a performing-arts high school in Philadelphia. From 1993 on, they recorded a string of acclaimed LPs with an expanded line-up that took the jazzy style of predecessors like A Tribe Called Quest in revolutionary new directions – stirring in funk, soul, psychedelia and art-rock influences as the years flew by. In 2009, after nearly 15 years of tireless touring, the Roots accepted a gig as the house band on Jimmy Fallon's new late-night show. This could have heralded a comfortable retirement – but instead they've somehow become even more prolific, releasing some of their most fearless music to date and jamming on national television with everyone from Bruce Springsteen to Prince.



THE STROKES


The Strokes burst onto the scene in 2001 with an effortlessly distinct sound: Julian Casablancas' audible distant scowl, Nick Valensi and Albert Hammond Jr.'s clashing double-guitar attack and an air-tight rhythm section. The band's first two albums, 2001's Is This It and 2003's Room on Fire, wrapped the youthful decadence and dive-bar realism of lower Manhattan life into contagious hooks recalling the Velvet Underground. The combination was monumental enough to open doors for a generation of rock & roll bands – including Kings of Leon, the Black Keys and many more. "Why does everything that has to be big and popular suck?" Julian Casablancas asked Rolling Stone in 2003. "We're trying to change that."


GREEN DAY

Green Day rose out of the San Francisco punk rock scene of the late 1980s, but from the very beginning they had global ambitions. Despite the inevitable cries of "sell-out," the three-piece band signed to a major label in 1994 and released Dookie. Within months, every high school kid in America was blasting "Longview," "Basket Case" and "Welcome to Paradise" in their bedrooms, and the band was stealing the show at Woodstock 1994. They continued to release hit records over the next decade (including the ballad "Good Riddance (Time of Your Life)," but in 2004, they wowed the critics with their anti-Bush rock operaAmerican Idiot. Just as they were about to be written off as has-beens, an entirely new generation of teenagers became obsessed with the group and the album became a landmark release. Nearly a decade later, they remain one of the biggest bands on the planet.

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